
Side by Side Official Trailer (2012)
1 month ago
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1. Side by Side Official Trailer (2012)
1 month ago
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The documentary investigates the history, process and workflow of both digital and photochemical film creation. We show what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital--where we are now, how we got here and what the future may bring.
sidebysidethemovie.com
twitter.com/sidebysidemovie
The documentary investigates the history, process and workflow of both digital and photochemical film creation. We show what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital--where we are now, how we got here and what the future may bring.
MP4
00:01:31
| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 127K | 1,031 | 62 |
| Feb 23rd | 93 | 5 | 0 |
| Feb 22nd | 796 | 16 | 1 |
| Feb 21st | 626 | 14 | 0 |
| Feb 20th | 338 | 6 | 0 |
| Feb 19th | 289 | 5 | 2 |
| Feb 18th | 341 | 5 | 0 |
| Feb 17th | 552 | 18 | 0 |
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Well, okay, maybe not. This is going to be a very, very interesting documentary. I use both (in still photography - I'm not a film-maker) but film has the 'magic'.
I really do hope film survives. But digital has made learning photography so much easier for today's beginners. Thank God for both media!
Will this be available to purchase online?
Keanu Reeves once described it quite beautifully:
"The biggest difference I have found when working photochemically versus digitally on motion pictures is the length of time the takes can last. Broadly, a 1,000ft roll of 35mm film lasts around nine-and-a-half minutes before running out, while a digital tape or recording card or hard drive can last from 40 minutes to over an hour and a half. This translates to a very different rhythm on the floor; the pressure to "cut" to save film is alleviated.
Archiving digital images is a technological dilemma. The idea of that discovered shoebox of pictures, or wedding album, will not exist digitally in your camera or on your computer or in a "cloud": you should print them. I often feel a photochemical image contains the mass of the subject and dimension; a digital image often feels as if it is mass-less. This could be nostalgia or simply how I learned to see. Others will not have this learning: they will probably never experience a photochemical image. Is this loss a tragedy, a revolution, an evolution? What have we lost, and what have we gained?
I will miss walking on to a photochemical film set. It has a magic to me. When the director says: "Action", and the film is rolling, it feels like something is at stake. It feels important and intense. In a way, death is present in the rolling of that film – we live, right now – and the director says: "Cut". And that moment in time is captured on film, really."
No desire for 3D either haha. can't wait to see this!
It is the artist and not the brush.
It is the artist and not the brush...
I had forgotten about that small snippet out of Black Swan shot on a DSLR. I think Matt LIb decided to use a 7D with a 24mm lens and a stop of T8 1/2 at 1600ASA if my memory serves.... get a bit more depth of field to try and match the S16.
...we're just curious - is that an HPX250 or an HPX170?