The whole video is created with one and the same skype video recording; its basically a selfportrait of me jumping around.

This video was successively compressed in three different (glitchy) ways. The first compression made the colors of the video unstable. In windows, the colors changed to black and white while on the mac, the video still had color. It also became pixelated (0'27-0'35).
The second compression made the video bleed. You can see what I mean with bleeding from 0'37 to 1'17. These are basically the more messed up parts of the video.
The third compression made the video very grainy, (for instance, from 2'50-3'06). Instead of playing frame by frame, the video seems to make collages of itself by putting layers triggered by the sound on top of eachother. A very weird compression mode that I also exploited in To Smell and Taste Black Matter (only seems to work when you add .wav sound to the video and compress with animation codec set on least quality).
The only filter I used was a contrast filter and a filter for keying some whites out. I also edited the video to the music.


Extraboy made the music for the video. The beginning is a speech synthesis fighting for room with a song composed of text and exe-data All performed on the Amiga. Gradually this sound gets highly compressed, and at the same time the (g)rainy sounds of a malfunctioning VST enters. That is followed by a new version of the
song that was recorded in the original skype video..

Creating this video made me think about a couple of things. First of all, the research I am doing is not about destroying the pixel. If we subscribe to wikipedia and agree that the pixel (or picture element) is the smallest item of information in an image, I would rather say that through artifacts like compression and glitch, I deconstruct the pixel of the video. I create new pixels from old pixels, with new dimensions and new pixel-properties.
Moreover, whereas pixels are normally arranged in a 2-dimensional grid, I think that we could wonder if the pixels actually has a third, or even forth dimension (in the sense that pixels are made out of different layers, with a certain opacity, that are placed on top of each other, over time). A simple thought that never occurred to me before. This requires some obvious research into the technology of the pixel.
A third thing that occurred to me is the misconception of the term compression. In general, (and also in wikipedia) data compression refers to the process of encoding information using fewer bits (or other information-bearing units) than an unencoded representation would use through use of specific encoding schemes. But when I do these types of experiments in encoding (compressing) a video file, it easily happens that a 1 minute video file (that originally only took up 87mb) takes up to 4gb of space in compressed form. It makes me wonder if compression still a matter of compressing?
I can't seem to dodge the question of what would be this 'unencoded representation' wikipedia refers to, when we are talking about files that have been generated through a compression service like skype?

15 Likes

  • Kyle McDonald 9 months ago
    Nice work. I think the "unencoded representation" in its most basic form is the sequence of images traveling from your webcam to Skype. If your webcam compresses the images before sending them to your computer, then the only "unencoded representation" exists on your webcam. But if you follow this... it's clear that the moment you transcode light into electricity, you already have an encoding. Therefore the only "unencoded representation" is the "thing itself", the intersubjective object (which is even denied by some people).

    Wikipedia probably isn't concerned about this basic sense of "unencoded", though. I think they're just referring to the most basic digitization from the digital sensor.
  • rosa menkman 8 months ago
    Hey Kyle, thank you for your comment. very interesting. I am running a bit late in answering, but i have your comment copypasted in a textfile to process and comment back... I think there is some baudrillard in there!? So will get back to you as soon as i am upto simulacra : )
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  • Le PôLe plus 8 months ago
    i made some experiment through puredata by transforming the pixel to ascii and then apply some effect of bluring-contrast-saturation and alpha setting.
    I can manage in real time a picture that look like yours. It's very beautyfull in black and white. I wonder if there is a way to construct "numerical charcters" to play some electronic/pixeletic fiction story of our time on computer... Your search about and thinking about deconstruction of pixel is very interresting. it was may start to build my patch in pd...if you're interressed in this i can give you everythings....
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  • rosa menkman 8 months ago
    Hey mr PôLe
    Thanks, that sounds very interesting, but i have to say, i am not a hero in pd (yet), personally i dont use it, i trigger the artifacts i make by changing file formats, compressing, transcoding etc, not with effects..
    real time is very nice though, i am so stuck in past time all the time ;)
    Can i see your effect somewhere?
    ~Rosa
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  • Aaron Fowler 7 months ago
    This is really beautiful.
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