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7. Pixel's Revenge timelapse showreel
2 years ago
Here is the first showreel of our brand new production company : Pixel's Revenge
This is basically a compilation of best shots we did, and some fresh unseen ones...
I had no time to make a clean 24fps version, so please use the download link for best experience...
Enjoy,
Dave
This is basically a compilation of best shots we did, and some fresh unseen ones...
I had no time to make a clean 24fps version, so please use the download link for best experience...
Enjoy,
Dave
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David Coiffierimage, post -
Laurent Frappaimage -
GILLES Xavierimage
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Ian Whitfield1 day ago
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Kirstin Odum1 day ago
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CarloFiumanò4 days ago -
Victor Espinosa4 days ago
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Damir Ainikeyev5 days ago
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Benedikt Schnurr6 days ago
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Olexander Skrypnyk1 week ago
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| Date | Plays | Likes | Comments |
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| Totals | 272K | 2,112 | 198 |
| Feb 13th | 64 | 0 | 0 |
| Feb 12th | 110 | 0 | 0 |
| Feb 11th | 109 | 2 | 0 |
| Feb 10th | 150 | 1 | 0 |
| Feb 9th | 141 | 2 | 0 |
| Feb 8th | 107 | 1 | 0 |
| Feb 7th | 98 | 1 | 0 |
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Great work man !!
I really appreciate your nice comments!
the second one - great ...
eric serra :-) and philip glass ?
well ...
good luck .. really
and thx for your comment :)
Congrats!
CHeers
I likey yours, you likey mine?
vimeo.com/3725225
-Avi Cohen
I don't see anyone asking what kind of camera you shot with and how did you zoom in and out of your shots in a time lapse video?
Cams are mainly Canon 350D & 400D, and pans/zooms are done in post.
And thanx for asking! :)
tom.
If you liked waterfall shots, you will enjoy the whole program : vimeo.com/1519617
About the ski resort night shot, it was one of the most painful to do : temperature was -20°C and miles away from the hotel I was in, but it's definitely worth it :)
The waterfall pan was also done in post, and was only shot with a 10Mpix 400D camera. However, to get such a long pan, trick was to set cam vertically to pan the width instead of panning the height.
Elles sont superbes et tu maitrise bien ton sujet !
Bernard
pan in motion.. hmm.. cool.. loved this work
lot's o luck w/ ur production company.
quality is everything ;).
cheers and success!
Karlo
In fact, pans & zooms you saw in this program are all made in post. Camera was always perfectly still (at least the more we could).
As DSLR captured image is far better resolution than HD, you can then zoom in or out, or pan inside the bigger picture while cropping to HD size. Something you're probably perfectly able to do in a software you're comfortable with...
I didn't yet have a chance to timelapse with it at nite, but based on stills I did in very low light, I guess awesomeness is just in front of us :)
So I recommend everyone to consider getting a mac, if not yet done. Your life will be changed, believe me...
About softwares I use, it really depends on my own experience thru years, and doesn't reflect a choice that should be considered as better than another one. Still, I feel I have found the perfect tool to process timelapse, and it's called Shake. This app is used in Hollywood to composite 3D renders over real shots, and has been used on King-Kong, Lord of the Rings, and so on...
This is not something everyone should go into, but still it has a good learning curve, and very detailled manual & tutorials. Also it will only run on mac or linux, as it is entirely based upon unix.
I'm also running DPP from Canon to convert raw to rgb, and will avoid Adobe camera raw, that has many more features than DPP, but gives you poor results when banding is prone to appear, as well as unwanted solarizations.
Editing is done naturally with FCP, and encodings with Compressor, which is part of FCP Studio 2.
So short answer is : mac, DPP, Shake, FCP. That's it! :)
The 5DmkII does for certain delivers flawless pics at night, keeping the saturation in the colours, even at higher iso...
Waiting for mine now, im willing to starve for it, hehe...
Keep up the good work mate!
Excellent work! And I like anyone who likes Zappa too. I'm primarily a photographer (imotichey.com) but I'm joining a documentary project on the subject of Tobacco Farmers. Budget is low. I'm researching cameras to use. I have several "L" series lenses I want to make use of. I have a little Canon HV30 & a static EF adapter that I've tested with the lenses but it is no where near acceptable quality and practicality for the project. I would be interested in your 5D Mark II feedback. I've seen the advantages and the video quality (on the web) is excellent. I am very tempted to jump right on it. However, I keep hearing about the lack of aperture and full manual control? Pulling focus being a tricky? Also, I'm interested in how well it works transferring/viewing in a Cinema Screen? Any insight is greatly appreciated.
Brad
First you can't get manual control over either shutter time, ISO and aperture. All you can do is locking auto settings before start shooting. So by choosing light amount in your frame before locking auto settings, you can adjust in some way exposure settings. Being locked or not, you always have the ability to correct exposure by +/-2F, but only ISO (and shutter speed if needed) will vary, not aperture. There's also a trick where you lock aperture, unscrew lens, and rescrew it, but not completely to avoid camera to take control over it.
I think the best for manual exposition would be to find lens with continuous and manual aperture control, with a good old aperture ring...
Focus is also quite hot to manage. Back screen is really good, but still very small to set focus precisely, and there's no peaking feature as on video cams. Follow focus seems mandatory, as well as HDMI monitoring on bigger screen...
Handling is also quite a problem, when you simply take the camera in your hands. It is absolutely not made for shooting and watching back screen at same time, so redrock rig or equivalent seems also mandatory...
In general, I'd say yes you can shoot with a 5DMII, but you have to rig it like a red or 35mm cam...
Post is pretty straight forward. If you have a 30fps workflow (what we don't, here in Europe), nothing special is to be mentionned. A bit noise may appear at high ISO, but not more that any HD regular video cam. Motion blur is quite heavy because of progressive scan, so you'll probably have to limit mvt speed, as in 35mm...
Source file is H264 QT file, with embedded audio (mono built-in mike is ok, but you hear lens stabilizer working) that you can directly play into FCP if you have a killer machine (octo mac for ex), otherwise a compressor conversion to ProResHQ is recommended, being a real production format, and way more easy to be played back on your machine. Basically, H264 is lightweight, but hard to decode, PRHQ is really easy to decode, but needs faster drive...
You probably know what I mean... :)
I use the TC-80N3 intervalometer from Canon, as well as chinese copies, way cheaper, but same design as TC-80, with a connector you can choose depending your EOS model. If you need 2.5mm jack plug, for a 400-450D for ex, you'll have to buy a chinese copy with such a connector. Canon model is only with their own round plug type, that fits pro EOS line, but not cheaper models…
Intervals greatly vary from 1-2s up to 30-40s at nite...
And I'm glad to know you know what I mean :)
For scenes where the light changes dramatically, how do you automate the exposure? Aperture priority? Shutter priority? Auto ISO? Thanks for all the great info!
Obviously missed this one :/
Still need some help for your intervalometer ?
Zappa! Yes....I know what you mean. Looking forward to seeing more of your work.
And the music from Leon... AMAZING!
Bravo David!!!!!!!!!!
5*****
What a feedback!! :)
a+!
Sinon, tes tofs sont sur mon serveur, dans la section members DB/
A + mec
Thank you very much for the excellent showreel!
Special thanks for the shot of the ship, where it cuts though the water, and there are reflections from buildings.
BRAVO!
Happy you enjoyed this!