We are pretty happy with how this one turned out. The timelapse of the milky way screaming through the desert sort of silenced the room. Which rarely occurs. An argument still looms, which I'd like your help with.
Is the blue filter cool?
Adrienne says: "good footage should stand alone without too much fussing around."
Max says: "good footage needs to compliment entire piece, piece does not compliment good footage, the mood of the piece is what motivated the blue."
We're still fighting about it. What do you think? Leave us a note...
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