Shot on the Epic it was a one day shoot, used a skateboard dolly and Zeiss Super Speed primes. This is a commercial for Bikini Designer Maison Lyle.

--When I shot this, I used available light and two 1.2 Arrisuns during the day. And the night shots I used as a back light and the other a 3/4 front Key. Notice the beginning shots have a lens flare. I really didn't want them in the frame, but we took a few rehearsals and I rolled them with out anyone knowing anyways, just for the hell of it. After we tweaked a few things I had my Gaffer flag the lens off to take 3 other takes without the flare. Andy and I saw the first two in post and ended up loving them! The first shot, with the lens flare, turned out better than the remaining three. Sometimes you have to roll without anyone knowing. It matters what your shooting of course.

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