Happy to play with James Miller's 5Dmk3 Raw footage for post-process test :))
1. "Raw" H.264 converted with 5DtoRGB to proress 444 (ITU-R BT.709. Luminance range set to "full range")
2.Imported to After Effects. Composition set to 16 bits.
3.Neat video to recreate missing bits (very subtle settings)
4.Added monochromatic Film grain as a Dither
7.Exported to Prores 444 (Trillions of colors)
8.Encoded to H.264 no bitrate limit
Better if download 1080p clip for watching.
Any comments really appreciated. Tnx for watch.
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