Not only one of the sharpest up-and-coming songwriters in Nashville, Natalie Prass possesses a rare artistic method she infuses into all her endeavors. She handcrafts album artwork and flyers and organizes local vinyl listening parties/drawing sessions, and there appears to be little end to the homespun creativity of this bright young talent. She’s also no slouch in the pipes department either — the girl can sing. Prass’ brand of indie folk is not to be underestimated. While her delicate alto evokes clear benchmarks of influence — see early Rilo Kiley, Feist, Karen Carpenter, etc. — Prass never seems weighed down by the artists she’s absorbed. Instead, she has developed a refreshing guitar-grounded musical vocabulary and a knack for infectious and entrancing tunes. Still, it’s a spirit of invitation and friendship that continues to be Prass’ most pronounced attribute.

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