All of your films originate from thinking as a structuralists film-making way and they end up going beyond into the lyrical, and in this case the ritualistic. I have always wonder what features in a landscape do you look for (or not look for) that qualifies them to be transfaluminated. All of these ordinary structures are transformed into totem-like creatures (or gods) by your lighting technique, and also by your performance, which is based solely on instinct, and that instant connection that one has with a space that reaches back to the ancient.

I agree with both of the previous comments. I must add that I feel a ritualistic process on it. Some kind of religious treatment on material. Like a living monument to/of the object.