The Interludes grew out of a collection of short video and sound pieces originally created for a production of the play Blood Relations. The play examines the infamous Lizzie Borden axe murders, casting the story as a guided flashback, or staged recollection, played out by one of Lizzie's close friends. At several points in the play Lizzie interrupts the flashback with reminiscences—of her as a child playing on the family farm, of a reoccurring dream about a carousel, and of the pigeons she used to keep as pets. Segments of video and audio originally produced as material for the play were taken, further processed, and reassembled into these three short pieces to be shown independently from the play. Interludes received an honorable mention at the 34th Bourges Electroacoustic Music Competition. Keith Kothman, music; John Fillwalk, video.

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