Using an archive of Internet searches for the phrase “actual reality” as raw data for this process, acoustic sounds of musicians (and the audience) are analyzed and resynthesized in real-time and then presented back for reply, creating a call and response. Along with the “real” performance, collected source material—video and audio from previous performances, rehearsals, and incidental audio—is processed and layered on top, creating an endless loop of what is and what has been.
February 15, 2012
Curator: Argeo Ascani
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