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man keep it up good post
today was that day.
cheers stu.
great tutorial. very motivational.
It was very useful.
And about Color Correction, which is a topic heavily discussed and improtant in the film-making process.
Thanks Stu!
In Photoshop, it's ESSENTIAL to have 4 not 3 points on the curve (e.g., S curves are impossible without 4 points). It looks like film makers have been making due with 3, though (3 wheels corresponding to 3 points on the curve, analogous to Levels in Photoshop).
Searching around I found this plug in, but couldn't find any others:
frischluft.com/curves/index.php
Has anyone used it? Are there other curve options? Does everyone else convert the film to TIFF and import back and forth to PS and AE? If I get into video and use AE, I sure wouldn't want to be limited to those clumsy wheels, so I'd be very interested in knowing what people do!
thanks for any answers,
Chris
What about much darker skin colors? Any CC tips for bringing out the best?
Also, it seems that this new blockbuster style really emphasizes the cold, blue/green shadow look. All of the films play on that, and it makes sense as they are complementary colors to orange/yellow tones. However, there are a lot of great looking films out there that don't look blueish at all, or at least not even nearly so much like these films. I'd like to learn more about those films; are they still pushing the shadows into the blues and greens if only a little bit? Is there any reason it would be a bad idea to make the shadows warmer?
Thanks for your insight!
Just reading DV Rebel's Guide - truly amazing book. Thank you for putting so much effort into it.
++ if i had where the wild things are on my computer, i would never leave my house