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  • makemassair 5 months ago
    Superb!
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  • ron sussman 5 months ago
    Stu is THE man
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  • Rob Imbs plus 5 months ago
    There are so many useful techniques and tidbits of information in this video. I loved it.
  • Fruit Tree Studios plus 4 months ago
    I agree.
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  • Elliott Williams 5 months ago
    Awesome! Thanks so much. Going to go play with this now.
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  • Lotenna Enwonwu 5 months ago
    Loved this tutorial. I posted on my blog for it… lostringsattached.com/stu-maschwitz-creating-a-summer-blockbuster-film-look
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  • wesley clouden 5 months ago
    Stu your giving all our trick's away
    man keep it up good post
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  • Eric Jacobus 5 months ago
    Thanks for making me look good again :)
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  • Andrew Howe plus 5 months ago
    Thanks Stu. Even a colour illiterate like me could make sense of that tutorial.
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  • john lewis 5 months ago
    wow. i've always looked at those 3 colour correction wheels in premiere and said "one day i'll find out what the hell they do"

    today was that day.

    cheers stu.
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  • Ozzy Alvarez 5 months ago
    Thank you so much for making this video! THANK YOU!
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  • Zach B plus 5 months ago
    Very intuitive. I often color correct, and then in hindsight I always fear that I go too far into the processed look, and completely throw off any resemblance to pure world coloring. Guess it's a delicate balance of true life vs. film manipulation, and I'm still struggling to walk it.
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  • Audy Erel 4 months ago
    Thanks Stu! You saved my life.
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  • dwyzak 4 months ago
    Alien woman that Kirk is about to bed down preset FTW!
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  • mike janov 4 months ago
    crap... i never realized that people were 'people' colored. this completely changes my approach...

    great tutorial. very motivational.
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  • Geoffrey Gonzales 4 months ago
    Thanks for the info about the vignette.
    It was very useful.
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  • I LOVE DUAN weiwei 4 months ago
    怎么就没有个中国人啊?
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  • I LOVE DUAN weiwei 4 months ago
    看不懂英文啊!
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  • Daniel Burke 4 months ago
    very helpful, great tut, who else but stu. !
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  • Elan Feingold plus 4 months ago
    Awesome video, thanks so much for posting it.
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  • Dan Stevers 4 months ago
    I wish I had seen this a lot sooner!
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  • Kalvin Camp 4 months ago
    YEAH!! Thanks alot!! I've really been trying to learn abt color correction lately!! this is fantastic!
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  • Jesse Knight 4 months ago
    Great informative tutorial. Saw it on the red giant site and recognized Eric Jacobus. Worked with him on a film in North Carolina.
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  • Juan Falla 4 months ago
    One of the best tutorials!
    And about Color Correction, which is a topic heavily discussed and improtant in the film-making process.
    Thanks Stu!
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  • Christopher Robinson 4 months ago
    I'm from a still photography background (so Photoshop) and was surprised to see that film colour correction uses only 3 points of correction. Is that true?! Have you, Stu, or any of the posters above, used plug ins to give you "true curves" or imported to PS?

    In Photoshop, it's ESSENTIAL to have 4 not 3 points on the curve (e.g., S curves are impossible without 4 points). It looks like film makers have been making due with 3, though (3 wheels corresponding to 3 points on the curve, analogous to Levels in Photoshop).

    Searching around I found this plug in, but couldn't find any others:

    frischluft.com/curves/index.php

    Has anyone used it? Are there other curve options? Does everyone else convert the film to TIFF and import back and forth to PS and AE? If I get into video and use AE, I sure wouldn't want to be limited to those clumsy wheels, so I'd be very interested in knowing what people do!

    thanks for any answers,

    Chris
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  • Sesa Video 2 months ago
    very helpful
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  • Jonathan Wing 22 days ago
    This is an extraordinary free resource, and I've learned a lot in such a short time. However, I do still wonder:

    What about much darker skin colors? Any CC tips for bringing out the best?

    Also, it seems that this new blockbuster style really emphasizes the cold, blue/green shadow look. All of the films play on that, and it makes sense as they are complementary colors to orange/yellow tones. However, there are a lot of great looking films out there that don't look blueish at all, or at least not even nearly so much like these films. I'd like to learn more about those films; are they still pushing the shadows into the blues and greens if only a little bit? Is there any reason it would be a bad idea to make the shadows warmer?

    Thanks for your insight!
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  • Make Some Tea plus 9 days ago
    Thanks for sharing Stu!

    Just reading DV Rebel's Guide - truly amazing book. Thank you for putting so much effort into it.
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  • Jimmy Odoms 9 days ago
    This has to be the best color grading tut I've seen to date. Thanks a bunch.
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