00:00
166
In Part 1 of Canon 5D Mark II Audio Exposed, I compare the Microtrack II, Zoom H4n, BeachTek DXA-5D, and the juicedLink CX 231 when recording a closely placed shotgun mic.

The only processing of the comparison audio was changing gain to match levels. You can download the uncompressed comparison audio here: p3pictures.com/audio_5d2/AudioExposed_Part1_Boom.zip

Don't miss...
Part 2: Camera Mounted Mic - vimeo.com/5388476
Part 3: Wireless Lavalier - vimeo.com/5443143
Part 4: Foley - vimeo.com/5453690
Part 5: Noise - vimeo.com/5474562
Part 6: Conclusions - vimeo.com/5903379

Credits

Likes

See all likes
  • P3Pictures plus 2 years ago
    One note: The BeachTek was especially noisy with the Magic Lantern Firmware in this test. One reason is that the gain in the camera was set to 0dB analog and 0dB digital, and I had to boost it a ton in post. Also, the unit was in mono for this test.

    I have a previous test at 10dB analog and 12dB digital in camera with the BeachTek set in stereo mode here: vimeo.com/5256305
  •  
  • Stephen Lewis plus 2 years ago
    Thanks for doing these tests Jon! My favorite was the Zoom H4n, but I can see how many may prefer a less boomy/warm tone. I have heard that in order to sync up audio with the 5D 30p video, you need to reduce the audio speed to 99.99% Is this true?
  •  
  • P3Pictures plus 2 years ago
    Hi Stephen,

    I think with the Zoom one needs to either enable the low-cut (wind cut) filter (which might make it sound thin), or spend money on a serious wind cut solution, which can cost hundreds of dollars. Once you encase the mic, that will cut the wind, but will also cut the highs and lows.

    Certainly, the H4n is clean and kicks the Microtrack II up and down the field.

    Regarding sync, if you put the 5D2 footage on a 30p timeline, you don't need to do any rate changes to sync it. In fact, you can drop it on a 29.97 timeline, the video will drop frames and the audio will sync fine.

    However, if you re-conform the video so it slows down to 29.97, then you need to slow the audio as well.

    Cineform does this all automatically. The (internal) audio and video are both slowed by 0.1% so you can do 29.97 with no dropped frames and no sync problems. It can cause problems if you try to intercut with other cameras though.

    BTW, I edited these videos with a previous version of Cineform that retimes the video, but doesn't touch the audio. I then manually reset the video to 30p to maintain sync. Since this is an audio test, I wanted the audio untouched (except matching gains.)
  •  
  • Wade Hampton plus 2 years ago
    Thanks P3P!

    You don't work with any of these companies? This is totally independent research on your part?
  •  
  • P3Pictures plus 2 years ago
    Full disclosure:

    Microtrack II: I own it and have used it on a short film.

    Zoom H4n: Was provided for free for one day from Brian Valente of Redrock Micro.

    BeachTek: My friend owns it locally, and loaned it to me.

    juicedLink: The owner of the company provided it to me for evaluation.

    Magic Lantern Firmware: I'm beta testing it. The firmware is free under the GPL framework.

    I own or borrowed all of the equipment used to make the videos.

    I don't work for any of these companies and there is no cash involved.
  •  
  • Wade Hampton plus 2 years ago
    Sounds fair to me... thanks, P3P.
  •  
  • Dery 2 years ago
    How did you record the sound at the beginning of your presentation?
  •  
  • P3Pictures plus 2 years ago
    The sound at the intro was with the AT815b on a boom with the wind cut filter on. (All the filters were off for the tests.) It was recorded into the juicedLink/Magic Lantern. Because of the filter, it was thin sounding. I added some boost around 200 Hz to compensate.

    The summary is recorded indoors with the NT1-A through a Mackie mixer into an Audiophile 192 and was not processed.

    Note that you might hear some clicks on the Magic Lantern recordings both through the juicedLink and the BeachTek. I was so focused on noise and tone that I overlooked this. The clicks are loudest when there is a high signal. They go away when the signal is low. This is due to the firmware writing to the audio chip - it zeroes out the waveform for an instant. The 0.1.5 beta code fixes this. Hopefully, it will be released in a matter of days...
  •  
  • Dery 2 years ago
    Do you have any sample of the Juicedlink and the Canon firmware? I am not ready to try the Magic Lantern yet.
  • P3Pictures plus 2 years ago
    I've tried the juicedLink with the standard firmware and the auto level control just kills it. I also tried running my own pilot tone from an iPod Shuffle into one of the channels of the 5D to force the auto gain down, but the results were bad.

    If you don't want to run the ML firmware, you might consider recording through the juicedLink into a cheap DV camcorder. As long as the camcorder lets you control the gain, the results would be better than into the 5D. A friend of mine is shooting a documentary that way using a Rode NT-2, juicedLink and HF100 camcorder. All the video is from the 5D, using the built in mic audio for sync.

    And then there's the H4n, which is a really solid solution.
  • Dery 2 years ago
    Thanks. That help to understand! Keep up the great work with your test. I love it!
  •  
  • Felipe Tavares 2 years ago
    Hi there, John!

    What again was the model of Sennheiser shotgun you used in this test?

    Thanks.
  • P3Pictures plus 2 years ago
    The ME-80.
  •  
  • Ben Kermode 2 years ago
    Hi P3, love your work, thanks! When are you expecting to post your conclusions? Speaking of shotguns, what are your thoughts on the AT897?
    :-)
  • P3Pictures plus 2 years ago
    The conclusions are up!

    I haven't used the AT897, so I can't really comment.
  •  
  • Pedro Paiva 2 years ago
    great review but how do you sync the audio of each take from the sound recorder to the video as neither camera or audio recorder have timecode?
    thanks
  • P3Pictures plus 2 years ago
    I do it manually. You can match the waveform of the external recorder to the waveform from the internal mic. Just look for a strong peak at a unique event and line it up.
  •  
  • Anders Dahl 2 years ago
    Great tests.
    I like how you found a way to drink beer while working.
  •  
  • Justin Jackson plus 2 years ago
    Thanks for the tests. They are really helpful. One question: can you record multiple tracks of audio into the 5d or are the two XLR inputs combined into one track?
  • P3Pictures plus 2 years ago
    The JL/5D2/ML combo records in stereo.
  •  
  • Ben F. plus 2 years ago
    Hey, great test. I really like the Magic Lantern Software but doesn't it crash regularly on your 5D ? That's the most annoying part for me...
  • P3Pictures plus 2 years ago
    Fortunately, my 5D2 doesn't crash with ML firmware. I wonder if Canon made some minor change in the camera. I've had mine for over a year, and Tramm has had his for a long time too. This past month, many people have been reporting crashes, and that didn't seem to be the case earlier in 2009.

    Is your camera relatively new?
  •  
  • Ben F. plus 2 years ago
    Strange, I've had mine for over a year too ! I don't know if it is related to the hardware.
    Too bad. Any solutions ?
  • P3Pictures plus 2 years ago
    I wonder if it's related to the CF cards. I use a Canon batteries and Sandisk IV 4GB cards.
  •  
  • Michel Hulsey 2 years ago
    Hi Ben,

    What firmware are you running? If you upgraded from the 1.1.0 firmware, that might be a problem. But I don't think ML would work at all then. Just a thought.
  •  
  • Suereh Bedru plus 2 years ago
    Thanks Ben

    Just what I needed. I'm in the process of buying a 5dmrkii and I'm researching audio. Very good suggestions. Thanks again.
  •  
  • P3Pictures plus 1 year ago
    BIG NEWS! Canon has announced that the new firmware will have 48 kHz audio and that you will be able to set the gain. It will also have live audio meters. No word on the headphone output, but it's possible.

    That means that Magic Lantern will no longer be required to get good sound. (Maybe we will still want it for the headphone output. We will see.)

    The juicedLink will still be needed to get a good hot signal into the camera for low noise, but those who prefer the stock firmware will now be able to have great in-camera audio.
  • Brian Kalstrup 9 months ago
    I appreciate these test you have run. I like the t2i / juicedlink / magic lantern test and quality. Im getting closer to making a purchase of these items. But Ive seen your post above in a couple different forums. Have you done test with Canons new firmware? Is magic lantern no longer needed? Can you obtain great sound with just juicedlink box and stock camera / firmware? If magic lantern is of no use would it be advantageous to T3i?
  •  
  • Faymus Media 1 year ago
    with the canon firmware, the beachtek sounded pretty good...it defeated the auto gain nicely...

    basically if you are using canons firmware beachtek is ok, if your using green lantern, go with juicedlink, and turn the gain down...


    i have a 7d, will beachtek do for me? is canon updating our firmware too?
  •  
  • P3Pictures plus 1 year ago
    Corey, in the description of this video at the top, you can download an uncompressed audio file. Try it at high levels on good monitors or headphones in a quiet environment. You will hear that the hiss with the Beachtek is very high. It won't be adequate for playing in a theater, let alone from a DVD on a surround system.

    The better solutions would be the juicedLink with the DN101, or the newer Beachtek with active preamps. The DN101 kills the auto-gain, provides a headphone output and small meters. I haven't tried the new Beachtek, so I don't know if its preamps are clean, but it's gotta be better than the passive one.
  •  
  • Mike Witzer plus 1 year ago
    Hey P3, nice video! This was just what i was looking for! Keep up the great work
  •  
  • Joel Benson 1 year ago
    Hi, nice review....av got the juicedlink 231 and a 7d. Can I record good audio straight into the 7d via the juicedlink?
  • P3Pictures plus 1 year ago
    You've got a great start. The 231 will give the 7D a nice, hot, clean signal. The problem is that the 7D has auto level control (ALC), so it will pump the gain (and noise) during the quiet parts. Also, the 7D offers no meters or headphone output.

    Hopefully, either Canon or Magic Lantern will develop 7D software that can defeat the ALC and provide the other features. Until then, you can get the DN101 from juicedLink. It attaches to your preamp, gives a headphone output, and injects a noise signal into one of the channels that forces the ALC down. It's also got a small meter, so you can see if you have a signal present.

    You can use the CX231 and 7D right now, and the sound will be pretty good, but you'll have to deal with gain (and noise) pumping in post. With the DN101 (or future firmware), you'll be good to go.
  •  
  • igor igosta 1 year ago
    Because of beer, it's good that you had just few mics for test :) (you did not have enough time to get dirty drunk)

    :D
  •  
  • Steve Crow 1 year ago
    I don't understand your comments regarding the Zoom H4N so maybe you can clear that up for me.

    Weren't you sending the boom mic's XLR output into the H4N and using it simply as a digital recorder?

    If so, I don't see how wind noise could have been a factor - any wind noise would have been coming from the boom mic not the Zoom H4N unless you were expecting the Zoom to somehow further filter the wind noise out.

    By the way, there is a great, inexpensive line of wind shields for the Zoom that are both humorous and very effective, check out redheadwindscreens.com/
  •  
  • Ivan de la Jara 1 year ago
    i must to be stupid with sound but i did not saw any difference between any of those expensive systems... im more worried about the flicking in the frames...
  •  
  • iFocus Films 1 year ago
    Awesome job ! Looks like it's a toss up between the juice box and the zoom.
  •  
  • Wendy James 1 year ago
    hello! great vid!

    my main question is, would i have to get a separate mixer if i'd like to use the zoom h4 or microtrack on my 7d, in order to override the AGC issue?
  • P3Pictures plus 1 year ago
    If you capture audio into an external recorder, like the Zoom H4n, then you don't need the mixer, since the sound isn't recorded into the camera. The challenge is that you then need to sync the separately recorded audio with the video. That's why Hollywood uses clapper boards with the scene and take written on it - to sync the audio to the film.

    I would stay away from the MicroTrack II though. It's very noisy. The H4n and the Tascam DP-100 are both good external recorders.
  • Wendy James 1 year ago
    thanks for the quick reply! so you just used h4n for that part of the test? no mixer? did you use magic lantern to correct any noise with it?

    im using the 7d on a doc and sound is super duper important. lol and i know what a clapper is ;)
  • Wendy James 1 year ago
    i ask bc i know w/ 7d theres no magic lantern firmware...just wanna seek out the best option!

    thanks for the help :)
  •  
  • Mordy G 1 year ago
    This is fantastic because it proves you can get perfectly good audio with the internal mic jack (if u can disable AGC, that is).

    But it seems like you need the JuicedLink to help with the pre-amp. I currently have a sennheisser EW122 wireless lapel mic for interviews. The receiver has some adjustable gain controls- would this be enough to get decent audio running into the mic jack? Or would I still need a preamp to help?
  • P3Pictures plus 10 months ago
    I'm not sure how hot the signal is from the EW122 receiver. The JL provides something like +18dB of clean gain. If your receiver can do the same, it should work fine without an additional preamp.
  •  
  • Rob Leslie 3 months ago
    Really appreciate that you put this up. Admittedly I need to get my audio recording to a much better quality.
  •  
This conversation is missing your voice. Take five seconds to join Vimeo or log in.

Advertisement

Statistics

Date Plays Comments
Totals 39.5K 190 45
Feb 14th 19 0 0
Feb 13th 18 1 0
Feb 12th 32 0 0
Feb 11th 25 1 0
Feb 10th 15 0 0
Feb 9th 29 0 0
Feb 8th 25 0 0

Related lessons from Vimeo Video School

Check out these lessons to learn more about how you can make videos like this one!