
Panasonic Lumix GH1: Test Clip
4 months ago
for exact same footage shot with Canon 5D mark II, go here: vimeo.com/5623230
for tech info go here: mikekobal.com/blog/?p=201
for tech info go here: mikekobal.com/blog/?p=201
-
Vimeo: About / Blog / Developers / Jobs / Community Guidelines / Community Forums / Help Center / Site Map / Merchandise
/ Get Vimeo

Previous Week
I'm wondering if shooting at 1080 on the GH1 affects the light sensitivity. The GH1 will shoot at 1080p right?
I think if you change the lens on the GH1 the performance will be much better although it will be far better in most situations than the average camcorder... Keep sharing the results...
cu =)
So this is 720p?
vimeo.com/4811665
I just loaded both of these clips in to a Beyonwiz DP-P2 PVR connected (via HDMI) to a Panasonic 50" PZ850 series Plasma, and viewed @ 2metres.
Canon 5D2 - nothing to report, asbsolutely rock solid, no artifacts any where in the picture - looks like a DSLR still shot.
Panasonic GH1... oh boy.. where do I start...
GH1: 0:0 to 0:12 - very noticeable sharpening contours in the sky - this is the low light 'mud' effect every one is talking about. Lots, and I mean lots, of dancing block artifacts in the sky. It doesnt' look good at all.
Lots of dancing blocks in the red areas of the Arizona can at both infinity and close focus
It would seem you get what you pay for.
Jean-Marc Lonfils
This isn't a fair comparison because you've dropped the bit rate of the GH1 to such a low level the image breaks up and you have also only shot at 720p whilst the 5D footage is shot at 1080p.
Care to explain?
Next time your should try the GH1 in 1080 mode. There is far more resolution in the 1080 extraction from the sensor.
I can see the compression contours in the clouds and flashing blocks on the darker areas on the lower LHS, from 0:0 to 0:12, when viewed on my 14" Toshiba laptop.
It looks very bad when viewed on 50" Plasma @ 2m.
No pixel peeping here.
at times NO Bs's keep doing you thing
NYC all day
The 5D seems to enance colors a bit. Actual film leans more toward the dull side which accounts for the color correction during telecine/post.