Lainey!!!! Hehe... Nice. Love how the song was seemingly randomly playing from the beginning and then you met it at exactly the point it was playing in the middle. Did I make any sense?
Hehe, yeah. I mixed the audio from the camera with the actual song from the album.
During the concert, cause there were so many people and I didn't have time to make too many adjustments, I just set the ISO to about 2500 (higher than I'd normally go).
Sean, you're really inspiring me to rethink my entire strategy between a DSLR and a dedicated video work flow. I was thinking if saving up for a used EX1 but the expense is an issue. I saw a couple of your comments on Philip Bloom's channel about recording sound with a Zoom H4n. Call me crazy but could this be a new wave in indie film making? Also, the RED Scarlet looks very promising but from the looks of it, a moderately decked out Scarlet will run a little shy under $8-$9K. It looks outstanding but it's not out yet. Your work is amazing and I am glad that your experiments show new light and ideas on what the future of film making holds.
I do believe things are going to change very soon for the indie film world. The new 7D is incredible, and really seems like it's the first of its kind (it's a huge improvement over the Mark II IMO). DSLR filmmaking is not going away.
We record with a Sennheiser MKH-60, which we plug into a Zoom H4n. It's a really nice little setup. We can shoot all day long and not have to stop for anything. The sound guy can move wherever he wants, because he's not tied to the camera.
I'm still keeping my eye on RED. I think if you're really serious about filmmaking, it will be a very good investment :)
During the concert, cause there were so many people and I didn't have time to make too many adjustments, I just set the ISO to about 2500 (higher than I'd normally go).
I am definitely going to try this!! nice smooth play!
A+! Sean.
I do believe things are going to change very soon for the indie film world. The new 7D is incredible, and really seems like it's the first of its kind (it's a huge improvement over the Mark II IMO). DSLR filmmaking is not going away.
We record with a Sennheiser MKH-60, which we plug into a Zoom H4n. It's a really nice little setup. We can shoot all day long and not have to stop for anything. The sound guy can move wherever he wants, because he's not tied to the camera.
I'm still keeping my eye on RED. I think if you're really serious about filmmaking, it will be a very good investment :)
The PluralEyes plugin makes it even easier (available for FCP and soon for Premiere and Vegas):
singularsoftware.com/autosync/