Piezo discs are put into direct contact with the various components of speaker diaphragms, exploring the materiality and physics of the loudspeaker-mic feedback loop. The slightest movement alters the sound completely, requiring control and patience to generate a range of sounds from bouncy percussive clicks to massive bass drones. Immediate, minimal, and direct, Sexton seeks to draw us through immediacy into the beyond, stripping processes down to reveal the endless levels of complexity within.
24Gauche, Montréal, November 2012
camera: Patrice Coulombe
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