Artist Camille Utterback, whose work is featured in the Frist Center’s exhibition Tracing Time/Marking Movement on view through May 19, 2013, discusses the creation and evolution of her interactive installations and other computer generated works. She explores how the creation of her works—which rely on cameras and computer code—is similar too, yet different from traditional painting, and how she became interested in computational systems to construct her pieces. She shares her process, as well as a behind-the-scenes looks at the prototyping and fabrication of some of her large-scale public works. Ultimately, Utterback muses on her path as an artist working between the worlds of traditional media and contemporary technology, and what this has taught her as a human being.

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