Carter Brey, the Principal cellist of the New York Philharmonic, discusses his interpretation of the Bach Suites, which he'll be performing in New York at the end of March. He talks about the source itself -- the history of the score of the Suites, and the evolution of his concept from the traditional Romantic performance to one that incorporates historically informed performance practices. He includes demonstrations of specific passages using a cello in Baroque disposition, with a matching bow; and using both his modern and the Baroque cellos, he shows the difference in interpretation that each setup allows.

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