Rush Hour London
2 years ago
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1. Rush Hour London
2 years ago
An experimental Time Lapse film exploring rush hour in London. Inspired by Koyaanisqatsi, the film uses time lapse photography techniques to create the visuals. A DSLR was set up to take a frame every 2 secs with a shutter speed of around 0.3 - 2 secs with an ND8 filter was used to create a motion blur which helps to increase the sense of rush and movement within the film.
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Chris SearsonProducer, Camera, Editer
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Adrian M2 days ago -
Steve Francis1 week ago
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PaulZ1 week ago
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Freudo2 weeks ago -
William Preisner2 weeks ago -
Federico3 weeks ago -
so.many3 weeks ago
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Rafael Matos3 weeks ago -
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Statistics
| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 44.7K | 1,048 | 129 |
| Feb 13th | 26 | 0 | 0 |
| Feb 12th | 17 | 0 | 0 |
| Feb 11th | 36 | 2 | 0 |
| Feb 10th | 26 | 0 | 0 |
| Feb 9th | 31 | 0 | 0 |
| Feb 8th | 26 | 0 | 0 |
| Feb 7th | 27 | 0 | 0 |
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Here is mine
vimeo.com/4529431
You might also like this one from Liverpool Street Station
vimeo.com/4084789
very representative
the shots were very effective, especially the switch between timelapse and slow-mo
job well done!
What a sadness though. In which world are we living?!
Good work! ;)
For the record I liked yours better than..
I need to do that in Times Square.. TBC..
Thank you for sharing!
Bryan Mumford makes a rig for such tilt/pans: bmumford.com/photo/rotary/index.html
You caught the feeling perfectly, organised madness.
congrats!
Great stuff though, I've only just started messing with this sort of thing.
But I did get stopped by Canary Wharf security when filming outside. They were cool though, once I showed them what I was doing and that it wasn't for commercial purposes!
vimeo.com/6005936
I love your "going nowhere" film, really beautiful visuals
Thank you
How did you do the shot of the exterior of canary wharf station (the slow tilting up)? Looks incredible
The pans are created by key-framing the widescreen matt in Final Cut.
haha I always thought that people must have some slow electronic pan or tilt head that you can make move extremely slowly!
You can get electronic pan and tilt heads but they don't come cheap, so being a poor student i cheated! haha. I think it works just as well though.
The pans were produced in post by key-framing the widescreen matt over the larger, DSLR frame size.
I would personally set the camera up manually and then let it be. You'll probably find the effects of changing conditions more effective that way, rather than in auto mode, where the camera would always try and maintain a "correct" exposure which would possibly reduce the impact of storm brewing or a sunset.
When setting the exposure though, just bear in mind possible changes in light levels, so always err on the side of caution, maybe a few stops either way depending on the situation. Hope that helps!
Thanks in advance.
One more question, what was the rat of shots you used for the footage you slowed down in Final Cut? How many pictures were they originally before slowing down?
Ok one more, did you do the blurring effect in Final Cut or was that on the day?
It's a shame the music doesn't have the power of Phillip Glass!
I have a question too. Would be nice, if you could answere. How is the Framerate in the film (for example train scene)?
Thanks and keep up the very good work.
PS: Oh and how is the name of the software that was used. Sorry, but I am a bloody beginner.