The translation of the tittle could be: Solo-devil-dance (not with an -s). However, the piece is not meant as a kickoff for an occult session. At best we can say that there is some harmless demonism in the composition itself and the way it must be played.
Just like Simeon's multi-played works the artist has a lot of freedom in putting contrasts and layers in his performance. Ivo Janssen is a born pianist to do the job.
About the minimalism: In the played structures beautiful Bach spheres arise in my head. I'm not a musicologist. Can anyone of the listeners point some things out for me?
(Apologies for the sometimes shaky freehand recording)
Dick Snellenberg / Leiden / The Netherlands
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