a set of performance tools, a dynamic structure where audio can be modified, moved, and distorted by myself as a performer creating magic, rather than a laptop musician or technician.With this work I hope to open a pathway for a larger proposal that asks; What are the ways in which a media designer can engineer interfaces, including meaninful sets and settings for shared knowledge areas and experiential communication, that validate spaces for the circulation of subjugated knowledges outside the current context of a corporate-consumer perspective?

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