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42. EMI World Without Music
3 months ago
The first ever ‘Josephine’ shoot
With the ‘Josephine’ camera hot off the workbench, Tim unlocks the potential of Time-Slice. Some very cool effects featuring the impossible. Live action at 25fps but exposures of 1/4 second to capture a juggler’s fire trails – how did they do that! Frozen-time tracking shots suddenly burst into real-time in one seamless camera move. After this it was only a case of refinement and application, never one of proof, this film does it all.
With the ‘Josephine’ camera hot off the workbench, Tim unlocks the potential of Time-Slice. Some very cool effects featuring the impossible. Live action at 25fps but exposures of 1/4 second to capture a juggler’s fire trails – how did they do that! Frozen-time tracking shots suddenly burst into real-time in one seamless camera move. After this it was only a case of refinement and application, never one of proof, this film does it all.
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