RED ONE - THE PIER on Vimeo

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72. BEST CAB RIDE OF ALL TIME!!!

by Patrick Lawler

1 month ago

71. The Broadway Tunnel

by Patrick Lawler

1 month ago

70. ROOF GAP

by Patrick Lawler

1 month ago

69. HD Hero Monday

by Patrick Lawler

1 month ago

68. Camera tied to Balloons

by Patrick Lawler

1 month ago

67. Top Of The World, San Francisco

by Patrick Lawler

2 months ago

66. SCOTT TURNER - KICKER (2nd edit)

by Patrick Lawler

2 months ago

65. RED ONE - Eli doing backflips off a tree

by Patrick Lawler

3 months ago

64. RED ONE - Henry Jumping off a swing 120fps

by Patrick Lawler

3 months ago

63. FOCUS

by Patrick Lawler

3 months ago

62. MICRO-SHORTS! Bean Bag

by Patrick Lawler

3 months ago

61. MICRO-SHORTS! What Fire?

by Patrick Lawler

3 months ago

60. Crazy Lady Dancing in Union Square SF

by Patrick Lawler

3 months ago

59. RED ONE - THE PIER

by Patrick Lawler

4 months ago

58. MICRO-SHORTS! Dead To Me pt.2

by Patrick Lawler

4 months ago

57. MICRO-SHORTS! Low Blow...

by Patrick Lawler

4 months ago

56. MICRO-SHORTS! Dead To Me

by Patrick Lawler

4 months ago

55. MICRO-SHORTS! Constant Gardener 2

by Patrick Lawler

4 months ago

54. RED ONE - IN THE MOUNTAINS

by Patrick Lawler

4 months ago

53. Upper Room Tattoo Commercial

by Patrick Lawler

4 months ago

52. Jake Bombs A Big Hill at 40mph

by Patrick Lawler

5 months ago

51. Demo Reel - Summer 2009

by Patrick Lawler

5 months ago

50. New Tomorrow - Does anyone have directions to the …

by Patrick Lawler

5 months ago

49. How T-Shirts Are Made - At Coudray Serigraphics

by Patrick Lawler

6 months ago

48. Fun With Bikes!

by Patrick Lawler

6 months ago

47. Running Into The Ocean

by Patrick Lawler

6 months ago

46. Fun with Holding Onto Hope (music video outtakes)

by Patrick Lawler

6 months ago

Day two of shooting with Omar Saad and the RED ONE camera. I made the music for this one.

Thanks for coming out and making this possible: Omar Saad, Cameron Mott, Justin Moore, Henry Bruington, and Richard Fusillo!

This camera is just fantastic! I'm still trying to figure out the workflow though. I let the thing sit and render for 5 hours and it messed up, so I had to do it again. Getting all the 2K footage to export right and getting all the 4K footage to export right is a pain.

Credits

Patrick Lawler
Camera Operator/DP/Director
S&S Productions
Camera Operator/Producer
Henry Bruington
Jumper/Production Assistant
Cameron Alexander
Executive Producer of Pat's Mustache/Assistant Commenter

Set credits

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Tags

Dru Korab 4 months ago

awesome dude. awesome.
Michael Brodner AKA Bones 4 months ago

Is it heavy for the handheld stuff? Post some pics of it if you have them. How much did your buddy spend on this thing?
Jared Levy 4 months ago

The camera alone is 17k but you need a lot more than that to use it properly. If you go all out and get the works...it'll run you 100k.
Patrick Lawler 4 months ago

IT IS SOOOOOO HEAVY! Oh my god, it's like barely acceptable, hopefully the scarletts are lighter. I did some handheld stuff that I'll upload once I feel like waiting around for it to render.

The camera setup we used was pretty basic one here's a photo of it. twitpic.com/ejp4a
BatteryFilms 4 months ago

This camera it's incredible. Good takes Patrick,
thanks for sharing. Hey, good music too.
Patrick Lawler 4 months ago

Hey thanks a lot! I'm glad you liked the music too!
Zacuto USA, Steve Weiss 4 months ago

Loved the profile shot. To do the shot with the sun you would have needed lights on the talent to keep the over exposure down. The 2K & 4K modes are only neccessary for large screen projection, if you are not doing that, it's completely unnecessary and not noticable and a waste of time. Think of it like shooting a picture with a 12mb camera and and showing the picture at web size and quality, it's just overkill.
Steve
Patrick Lawler 4 months ago

Thanks steve! What I'm having problems with are my export settings for the 4K and the 2K files working together in final cut without having to render all the time.
Jahaan London 4 months ago

great color tone and music :)
Writ of Outlawry 4 months ago

the outcome after all that work is amazing though!
FonsecaFilms 4 months ago

I like it, Looks real good
Patrick Lawler 4 months ago

thanks Chris! when are we gunna film some bike stuff?
Cameron Alexander 4 months ago

We need this camera. must have Red braaaaaainnnnssss
Sean Cruser 4 months ago

nice work dude. i loved the framing in the beginning of the final shot with the guys in the extreme left of frame.

also nice music.
Erwin Jaquez 4 months ago

Hello Patrick, nice shooting!.

I own a Red One, if you need any help with the exports or settings just write me back.

Best!
Patrick Lawler 4 months ago

hey erwin I sent you a message with my specific problems. if you can help that'd be great!
Breezy 4 months ago

wow, that was impressive. beautiful shots
Geoff A Charters 4 months ago

Very nice. What software did you use to write the track? It's also very cool.
Patrick Lawler 4 months ago

Thanks! I used reason to make the music. Usually I use garage band but the reason orchestra sounds are amazing!
x yeshua x 4 months ago

you captured everything beautifully :)
S&S Productions 4 months ago

Hey, I've finally got a chance to check out how you edited the footage. Good work! Let's shoot again sometime soon!
Patrick Lawler 4 months ago

for sure man!
Flicker Films 4 months ago

That footage is great. Do you remember the FPS you were at ? And great call going hand held for that final shot; very nice.
Patrick Lawler 4 months ago

Thanks! We shot all the slo-mo at 120fps in 2K
Henry Bruington 4 months ago

this is soo awesome pat! I'm really happy I was apart of this
Focal Bliss 3 months ago

very nicely done! 2 more months for the Scarlet, Cant wait!
Patrick Lawler 3 months ago

is there an official release date yet?
Focal Bliss 3 months ago

I dont think there is an "official" date. But, last sunday I overheard Ted Schilowitz say "in 2 months" for the Scarlet. As with anything with RED ~ that could change.
SCORSO 3 months ago

Awesome job! whats the frame rate you were shooting at?
Patrick Lawler 3 months ago

Thanks! I shot it all at 120fps
Juan C. Peña 3 months ago

The magic of magic hour! My favorite element is the light reflecting off the splash drops. Like a strobe on shower from a zest commercial. Nice work!
Karen Abad ♥s Dinosaurs. 3 months ago

om nom nom nom i wanna eat this footage.
Linda McClure 3 months ago

Wow! Awesome!
paramon 2 months ago

awesome,
no doubts RED is great,
but I'm more impressed with the music, what did you use,
thanks for sharing.
Patrick Lawler 2 months ago

Thank you!
I used "reason" to compose and program the music. It's an amazing program, and the orchestral synthesizers are unbelievable!
Leo Kaliski 2 months ago

the shot of jmo and henry jumping from the side is supperr epic.

also the music is really good, perfect actually, it's cool to hear something from reason instead of garage band haha. you should hit me up if you ever want me to do music!
Jake Blackstone 2 months ago

I hate to be the only one offering any criticism, but the wide shot is overexposed. It's a common mistake among red camera shooters. If you just had closed aperture another stop and a half, then it would be the perfect shot and you could then handle the less exposure at the end of the shot easily with keyframing the gain in grading. Otherwise, great job.
Patrick Lawler 2 months ago

Thanks for the feedback! I always try to embrace and encourage criticism as much as I can.

Which wide shot are you referring to? The shots of them silhouetted, or the shot of both of the guys jumping off the pier from the side?

Did you mean the background was too bright? Can you keyframe the grading in RedCine or RedAlert?
Patrick Lawler 2 months ago

I'm sure you use other programs to color-grade. I was just curious.
Jake Blackstone 2 months ago

Yes, the silhouetted shots at the beginning are overexposed. At the end of those shots the exposure is spot on. No, there is no keyframing in RC or RA. Both programs are not designed for grading, just for transcoding to QT or DPX for grading later. I use Lustre and Scratch for my grading.
Patrick Lawler 2 months ago

aaaah okay. Well thank you! What I think I was doing, was trying to split the difference between the underexposed (in shadow) area of the water below the pier, and the bright sunlit mountains.

As far as over-exposure goes are you talking about the exposure of the sun and its reflection in the water where the whites crush really early, and there's that big white blob where the sun should be?
Jake Blackstone 2 months ago

Yeah, the highlights are little blown out in the water and so is the sky. It's possible, that the actual exposure is fine and the shot just need a little more finessing. If you'd like, you can send me the r3d file and I can look at it...
Patrick Lawler 2 months ago

Oh that would be awesome! I have to go to school right now, but later I would love you to look at it! How do you recommend I get it to you? It's a pretty big file.
Jake Blackstone 2 months ago

No problem. Anything under 2 gb can be just uploaded. Just use my regular email jake4n(at)me(dot)com and will set it up.