My quick explanation of what S-Log is all about. Before and after, and with scopes. Shot on Sony PMW-F3, with S-log. While I shot this on a Prores HQ recorder, what you're lookng at here came from my EXCAM backup (NEVER record s-log to EXCAM as a master! it's 8 bit compress to MPEG at 35mbps - the Prores HQ format is 10 bit at 220mbps - chalk and cheese really.) Thanks to James for standing in for this exposure test (I can't show you the 'real talent', as my client would have my guts for garters!)

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