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11. AJA Ki Pro Training Part 3 of 3
3 months ago
The AJA Ki Pro is a tapeless video recording device that records high-quality Apple ProRes 422 edit ready QuickTime files onto computer-friendly media.
Because it features SD/HD-SDI, HDMI, and analog inputs, you can interface with virtually any type of camera you might own or rent. Further, you enjoy monitoring flexibility through Ki Pro's numerous simultaneous outputs, connecting to both professional and consumer monitors.
In Part 3 of the Ki Pro training series, Jon Thorn, Ki Pro Product Manager takes the viewer through the steps necessary to record to the Ki Pro and connect the resultant recorded files on the Ki Pro Storage module to an Apple computer with Final Cut Pro. The user can edit immediately using the edit ready Apple Pro Res files.
As the video makes clear, the process is simple and seamless.
Because it features SD/HD-SDI, HDMI, and analog inputs, you can interface with virtually any type of camera you might own or rent. Further, you enjoy monitoring flexibility through Ki Pro's numerous simultaneous outputs, connecting to both professional and consumer monitors.
In Part 3 of the Ki Pro training series, Jon Thorn, Ki Pro Product Manager takes the viewer through the steps necessary to record to the Ki Pro and connect the resultant recorded files on the Ki Pro Storage module to an Apple computer with Final Cut Pro. The user can edit immediately using the edit ready Apple Pro Res files.
As the video makes clear, the process is simple and seamless.
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I assume there is no V-mount or Anton Bauer mount on the underside of the Ki Pro to attach a battery to? We were thinking of using the unit in a belt pouch to be worn by the operator, instead of adding extra weight and girth to the underside of a camera.
I understand there is wireless controllability of this unit via an AP address, but the three videos did not get into this at all. And how about a small, inexpensive wired controller, would there be such a thing?
Are you guys really expecting that everyone who buys a Ki Pro will be running things on an Apple computer, the Mac OS, and editing video using Final Cut? That is certainly not the case around here, as we do not particularly like overpriced, proprietary hardware and apps, and what I have been hearing of the latest version of the Mac OS, it is a regular bugzilla, anyhow.
Anyhow.... I understnad that on the PC side, Sony's Vegas 9 NLE program can only hadnle thse Apple Pro Res files natively. Maybe other NLE can do as well, like Grass Valley's Edius. Whatever the case is, I would certainly revise this video somewhat to mention other possibilities for working with the Ki Pro, other than having to acquite an entire Apple + Mc OS + Final Cut package. Not everyone wants to go that route, you know.
I recall something being mentioned in the menu set-up between switching from NTSC US and NTSC Japan. How about PAL? Does the Ki Pro handle Pal recordings as well, like 25p, 50i, and 50p? Or not? Important consideration in these days of global interoperability, surely.
Lastly, what size are the spinning and solid state hard drive cartidges that you sell for the Ki Pro, and what are their list prices? Also, I noticed that the hard drive has a micro FW800 OUT jack, but this is not really used in the PC and Linux world much, though. There was also a brief mention about an external SATA connector on the drive, and how it connects this waty to the unit itself when loaded. Can the hard drive also be connected to a PC via an eSATA cable, or only via a FireWire cable? This would be rather important for us operating in the non-Apple world.
Thanks again, Jon! Great effort, most useful indeed!
I took your questions to Jon Thorn, the Product Manager for Key Pro and he kindly has provided the following answers.
Q: I assume there is no V-mount or Anton Bauer mount on the underside of the Ki Pro to attach a battery to?
A: Ki Pro does not have a V-mount or Anton Bauer battery mount attached to it. Instead, Ki Pro uses an industry standard 4-pin XLR style connector which allows you to use Ki Pro with a wide variety of batteries directly or via adapters.
Q: And how about a small, inexpensive wired controller, would there be such a thing?
A: In a free future firmware update, Ki Pro's LANC connectivity will be enabled; LANC will allow you to use inexpensive, wired controllers to arm the recording of both the camera and Ki Pro.
Q: Are you guys really expecting that everyone who buys a Ki Pro will be running things on an Apple computer, the Mac OS, and editing video using Final Cut?
A: No. We appreciate that there are a variety of non-linear editing programs to choose from, but we wanted to create a product that worked seamlessly with the most popular non-linear editing software on the market, Final Cut Pro. Since Apple provides QuickTime decoders for Windows, it is possible to open the Apple ProRes 422 files on that platform as well.
Q: Does the Ki Pro handle Pal recordings as well, like 25p, 50i, and 50p?
A: Yes, Ki Pro works with PAL and HD formats at 50Hz like 720p 50 and 1080i 25.
Q: Lastly, what size are the spinning and solid state hard drive cartidges that you sell for the Ki Pro, and what are their list prices?
A: Ki Pro ships with one 250GB spinning drive. Additional 250GB Storage Modules can be purchased for U.S. MSRP $265 - so just over $1 per GB. The forthcoming 500GB spinning Storage Module will be priced at U.S. MSRP $385. Solid State technology is a bit more expensive and in most cases, the spinning mechanisms are suitable. But for high vibration and harsh conditions, SSD units might be better suited. The forthcoming 128GB SSD is priced at U.S. MSRP $695 and the 256GB SSD is priced at $1,395.
Q: Can the hard drive also be connected to a PC via an eSATA cable, or only via a FireWire cable?
A: At this time, the only certified way to connect the Storage Modules to a computer is via FireWire, but we won't rule out that in the future there will be the option to connect them via the SATA interface.
Hope this helps answer you questions. If you have additional questions you can always contact sales@aja.com for more information.
Re. Apple Final Cut Pro (Studio), I am not sure what their market share is in the world of NLEs these days, but I would suspect that if one adds up all the NLEs in use today (i.e. Avid, Adobe, Sony, Grass Valley, Leitch, etc, etc), FCP would still have a minority share of the non-linear editing market. Plus, their editor is really attched to the most proprietatary computer system out there, i.e. Apple.
I understand Apple provides QuickTime decoders for Windows for QT file playback, but I was sort of more interested in finding out what NLE program, besides Final Cut, will handle Pro Res and Pro Res HQ files natively on the timeline?
Yeah, the Apple-type FireWire 800 interface is pretty slow way to copy anything from drive to drive, when compared for instance to the 3Gb/sec eSATA interface. Also, in the Windows world, FireWire 800 is not all that popular, it seems. I am not sure if there is another way to connect the Ki Pro to a computer for data transfer while the drive is inside the actual recorder/player unit? Or would you have to physically remove the drive and play out its content from the single FW800 jack?