Miran Kreš, Iluminacije
17. 4.–26. 5. 2013, MGLC

Miran Kreš (1973) je član mednarodne skupine abstraktnih slikarjev. Slike pojmuje kot znanost z odprtimi možnosti oziroma kot skupek psiholoških vplivov barv in oblik na gledalca. Gledalca postavlja pred paradoksalno dihotomijo – namreč, enobarvni beli slikarski objekti in očesu skoraj nevidne zidne slike se ob primerni zatemnitvi razstavnega prostora spreminjajo v barvne površine in geometrične oblike, ki izžarevajo svetlobo.

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Miran Kreš, Illuminations
17. 4.–26. 5. 2013, MGLC

Miran Kreš (1973) is a member of an international group of abstract painters. He sees paintings as an open-ended science or as a set of psychological effects of colour and form on the viewer. He makes the observer contend with a paradoxical dichotomy – namely, if the lighting of the exhibition space is appropriately dimmed, the monochrome white painterly objects and wall paintings, which are almost indiscernible to the eye, change into colour surfaces and geometric shapes that emit light.

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