Hey, Richard.. it was shot basically in just Cinemode with no other real different settings. I used a Letus Mini adapter for everything, except the black "transportation" scenes. And from what I recall, I didn't mess too much with the exposure. Most of the post-prod work was heavily focused on those scenes in particular with color correction, curves, crushing the blacks, etc.

And thanks for fav'ing!

Thanks! I primarily used a Nikon 50mm f/1.4

Hey, Jeremy.. sorry it's taking me so long to reply. Vimeo never notified me of your comment!

On the Letus Direct page when ordering a Mini there is a drop-down accessory list; they have made a ring specifically to fit the HFS100 for the Letus Mini. Hope this helps.

Thanks, that helps me a bunch! I can't wait to get this camera. :)

Also, how did you get such a clear picture in the dark room? Did you do a lot of color correction for that? It looked really, really cool.

One more question...

Since you used the Nikon 50mm, did you order the Mini with the lens mount "Nikon AI", or did you leave it at "None"?

What's impressive about the HFS100 is how well it can fairly perform in low-light conditions -- even though there will be some obvious noise. I bumped up the in-camera gain a bit, but not too much. And yeah, a bulk of the post-production was using curves in After Effects for the dark room, really crushing out the noise in the blacks.

Also used a Nikon AI mount for the Nikon lens. It's built specifically for that brand.

Thanks, Bill! Really, really appreciate it!

No, no need for the rod support system. You'll be surprised by how light the HFS10 + Letus adapter combination will really be. There is hardly any stress from the adapter weighing on the threads of the HFS10.

I hope you have fun with the adapter, and I'll be sure to check out any vids you post.

Yep, just like that with no problems.