
Interview Demo Reel
2 years ago
I often get asked when applying for shooting gigs if I can shoot and light interviews, so I decided to put together a demo reel for this purpose. I have filmed literally hundreds of interviews, and it is an important skill for most shooters.
All the samples here were shot with an EX-1 and about a quarter of them had the Letus Extreme adapter. I use anywhere from 0 to 5 lights, and my kit includes Arri, Kino, Zylight, and Lowel lights.
Thanks for watching!
All the samples here were shot with an EX-1 and about a quarter of them had the Letus Extreme adapter. I use anywhere from 0 to 5 lights, and my kit includes Arri, Kino, Zylight, and Lowel lights.
Thanks for watching!
| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 914 | 8 | 9 |
| Feb 15th | 0 | 0 | 0 |
| Feb 14th | 0 | 0 | 0 |
| Feb 13th | 0 | 0 | 0 |
| Feb 12th | 0 | 0 | 0 |
| Feb 11th | 0 | 0 | 0 |
| Feb 10th | 0 | 0 | 0 |
| Feb 9th | 0 | 0 | 0 |
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what did you use for sound ?
Thanks
For these the mics were a Sony ECM-77, Sanken COS-1, or a Sennheiser G2 wireless. Some shots were done with a Sanken CS3e shotgun. Almost all were recorded straight into the camera. I have found an improvement, though, when going through a mixer.
Thank you though. My usual lighting for interviews is a KinoFlo Diva (or Arri 1K open face w/Chimera) for key, and a Zylight Z90 or Arri 300 fresnel for backlight. I typically use Arri 650s or 300s for lighting the backgrounds, which I often gel or put some patterns on, but I usually try to keep things looking a little more natural. The priest (if I remember) was just the KinoFlo and the Zylight and existing light (which was on dimmers).
Also, did you throw pattern in the background? I normally just light a dark, background with a tota and umbrella so I'd be very interested in your technique. Again it looks terrific
Thanks.
I sometimes throw patterns by using blackwrap with some holes cut in it and I put that on an Arri 650 fresnel. This helps to break up the background if it is a little less interesting. In the demo video there are probably only 2 or 3 shots that I do that for.
As far as DOF it is certainly great if you can get the person far away from the background. I used a Letus Extreme on some of the interviews (maybe 25%...including the 2 watershed ones) and that helps with getting a shallower DOF. But without I find that (especially with an EX-1 or cam with a larger sensor) if I stay wide or close to wide open I can get a shallower DOF.
If you have any other questions feel free to email me at benjamin.j.eckstein@gmail.com.
Peter
What do you think of the results of the led lights during interviews?
thx