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I often get asked when applying for shooting gigs if I can shoot and light interviews, so I decided to put together a demo reel for this purpose. I have filmed literally hundreds of interviews, and it is an important skill for most shooters.

All the samples here were shot with an EX-1 and about a quarter of them had the Letus Extreme adapter. I use anywhere from 0 to 5 lights, and my kit includes Arri, Kino, Zylight, and Lowel lights.

Thanks for watching!

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  • Naija Docs 2 years ago
    great stuff
    what did you use for sound ?
    Thanks
  • Benjamin Eckstein plus 2 years ago
    Thanks Naija.
    For these the mics were a Sony ECM-77, Sanken COS-1, or a Sennheiser G2 wireless. Some shots were done with a Sanken CS3e shotgun. Almost all were recorded straight into the camera. I have found an improvement, though, when going through a mixer.
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  • onarafilms 2 years ago
    hi,since i'm still waiting after a month to get approved to post on dvinfo I thought I'd try asking the question here instead: could you please share what your lighting rig is? I love the Priest in particular who really pops out of the frame, how did you light that one? Thanks
  • Benjamin Eckstein plus 2 years ago
    You should get approved quickly on DVinfo. Not sure what that is about. I would try again.

    Thank you though. My usual lighting for interviews is a KinoFlo Diva (or Arri 1K open face w/Chimera) for key, and a Zylight Z90 or Arri 300 fresnel for backlight. I typically use Arri 650s or 300s for lighting the backgrounds, which I often gel or put some patterns on, but I usually try to keep things looking a little more natural. The priest (if I remember) was just the KinoFlo and the Zylight and existing light (which was on dimmers).
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  • You footage looks terrific. Very natural. In particular, I love the 2 'watershed' interviews. I was always taught to stay away from windows (to avoid mixing light) so I'm wondering what your setup was for those two interviews? Did you gel the Chimera?

    Also, did you throw pattern in the background? I normally just light a dark, background with a tota and umbrella so I'd be very interested in your technique. Again it looks terrific

    Thanks.
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  • Also, how far away is the background? I love the DOF effect you achieved. Any advice would be appreciated.
  • Benjamin Eckstein plus 2 years ago
    Thanks for checking out my stuff. As far as mixed lighting, if I plan to incorporate natural daylight I typically use a Kino Flo with daylight bulbs. I can gel my Chimera but it is more of a pain and it cuts the amount of light substantially. Sometimes, especially if it is late in the day I like to white balance to tungsten (and use tungsten lights) and let window light go blue. It usually has to be very dim outside though. I usually use between 2-3 lights and a bounce card sometimes. I can occasionally key with window light and use 0-1 light and bounce card. I like to not always have things look too "lit", but sometimes that is exactly the look I AM going for.

    I sometimes throw patterns by using blackwrap with some holes cut in it and I put that on an Arri 650 fresnel. This helps to break up the background if it is a little less interesting. In the demo video there are probably only 2 or 3 shots that I do that for.

    As far as DOF it is certainly great if you can get the person far away from the background. I used a Letus Extreme on some of the interviews (maybe 25%...including the 2 watershed ones) and that helps with getting a shallower DOF. But without I find that (especially with an EX-1 or cam with a larger sensor) if I stay wide or close to wide open I can get a shallower DOF.

    If you have any other questions feel free to email me at benjamin.j.eckstein@gmail.com.
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  • Thanks for all the info Benjamin.

    Peter
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  • steve seagal 2 months ago
    Great infos Benjamin.
    What do you think of the results of the led lights during interviews?
    thx
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