2 Channel HD Video, 12min, 2013
Interweaving the silent movements of a fashionable gallerist with the robust installation of art objects, this two channel video narrativizes an accompanying installation, and explores the active dialectic between vision and gesture as a continual performance of self and group identity. Incorporating horror and the camp of David Bowie, the video, sculpture and adjacent walls coalesce into an uncanny, disjointed frame of experience.
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