Technological advances have revealed previously unknown and inaccessible wonders of the world. Images that were once only accessible within gallery sites of distant spaces are now immediately available on mobile screens. This work is concerned with the dissolution and loss of information that is simultaneous with such technological advances.

Mixing technologies of different eras, I present images – taken from a moving image installation – on problematic representations of the world through technology. Details are corrupted, meaning lost, views conflicted. The audience loses a fixed sense of ‘reality’, but experiences it through imperfect technologies.

Edited by Tom Slevin

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