Thanks for the feedback. To answer your questions in order: No adapter, audio was recorded on condenser mic right into a laptop, rooms were lit by a combination of two Lowel light kits, and was shot in 24p and 60i. The 60i was turned into 24p in post to create slow motion.

Shutter was 1/48...maybe 1/40 if light was really low, aperture was between 1.8 and 2.8 inside, 5.6 outside. Cine mode was on with image effect on vivid.

Final Cut Pro and JES Deinterlacer.

We used the Tota and VIP kit. Glad you liked

myspace.com/oliviaolsonmusic

Agreed. Because of time restraints we had to use most of the audio captured on set. We had a terrible humming noise coming from outside and therefore had to cut all of the low end frequencies. We were able to do some ADR when it was time to record voice overs...but go figure the room we did that in had a hum as well...not as bad though.

It is removing interlacing to give you 24 progressive frames a second.

hv20.com/showthread.php?t=190&highlight=JES+Deinterlacer

Intentional

Cool