As dancers today, we are familiarized with countless distinct approaches to movement generation. As well, there is an “everything is possible” (art)context within which we need to position our live performance art. On stage and in the creative process, todays values tend to be fluid, and relevance is often unstable: as creators of our own reality, we're faced with endless shifting between performative approaches, languages, genres, styles and performance value systems.
What do we choose, How and When?
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