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Natural Growth: The Story of Dockside Green

This documentary tells the story of a unique development in Victoria, BC. While other developments meet the minimum standards of sustainability, Dockside uses this as a first principle. It follows a 'triple bottom line' approach, where equal weight is given to ecology, economics and society. Occupying water front property near Victoria's downtown core, it has become the pride of the city and receives visitors from around the world.

Future projects include an extended version of the documentary, where a broader approach will place Dockside into the context of Victoria's evolving relationship with sustainability.

Natural Growth: The Story of Dockside Green was produced/shot by Christopher Ruffell and written/directed by Jordan Harbour. An Aclara Promotions Production.

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  • Just Victoria plus 3 months ago
    This is amazing Christopher. You have so much talent. Great work...
  • Christopher Ruffell plus 3 months ago
    It was a project that Jordan Harbour and I shared - thank you for your kind words Victoria.
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  • Jackson Jackson 3 months ago
    A truly visionary model for smart growth and community development.
  • Christopher Ruffell plus 3 months ago
    Fantastic real-life concepts aren't they - glad we were able to be able to highlight Selkirk and Dockside Green as models for current and future development.
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  • Aidan Knight 3 months ago
    Nice motion on the camera work. I really enjoyed the fluidity and the colours look super dense and nice. That's the Lumix?

    One thing I would comment on, the audio. It was a little gainy here and there, but everything sounded nice and clear overall. Great work, looks nice.
  • Christopher Ruffell plus 3 months ago
    The lumix provided a nice image, I did do colour correction and an overall pass of colour grading, so, debatable where the notable qualities come from. However, the raw image impressed us though - many shots were fine as-is. The location audio was a bit hot, agreed. Next time there'll be a dedicated audio tech on set incorporated into the budget. :)
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  • Charles Lowthian plus 3 months ago
    Nice bokeh. What grip equipment did you use for the motion shots/pans? And for audio? Still have not used the GH1 yet :( Great work Christopher.
  • Christopher Ruffell plus 3 months ago
    A slider unit was used in most of the B-Roll shots to add dynamism (it was too hit-and-miss with jerkiness to be used for the crucial interview shots). The audio was a simple wireless lav-microphone setup straight into the camera. Also, all lit with natural light - no daylight balanced tungsten here!
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  • Steve Weiss plus 3 months ago
    Nicely done Docu style piece.
  • Christopher Ruffell plus 3 months ago
    Thanks Steve, glad you agree that it works.
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  • Jeff Carpenter 3 months ago
    very nice! I was wondering how did the dolly moves in there...?
  • Christopher Ruffell plus 3 months ago
    That dolly movies were done with Jordan's Indi-Slider unit - when it worked, it worked well! Shooting in 60P was the icing on the cake - it enabled a shot to be 2.5x times longer (and smoother than real-time). Great combination.
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  • Shaman Entertainment 3 months ago
    Nice Chris.
  • Christopher Ruffell plus 3 months ago
    Thank you - we're glad you like it, cheers.
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  • Michael Farrell 3 months ago
    Great job Chris, very nice work.
  • Christopher Ruffell plus 3 months ago
    Thanks Michael, glad you got to check it out.
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  • xcoolnaz 3 months ago
    Wonderful job with your GH1. Which lens did you use? How many GH1 did you use?
  • Christopher Ruffell plus 3 months ago
    Thanks - I mainly used a Nikkor 50mm F1.4 (from 1969!) for 90% of the shots. The wide-angle and zoom shots were shot with the stock GH1 lens, the 18-180mm lens, which is incredibly sharp. Used a single GH1 for the entire project.
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  • Cynthia Holladay 3 months ago
    Nicely done - congratulations
  • Christopher Ruffell plus 3 months ago
    Thank you Cynthia, cheers.
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  • House Of Pictures 3 months ago
    Nice, very nice. Thanks for sharing. Just quick question - what program did you use for edit it?
  • Christopher Ruffell plus 3 months ago
    Final Cut Studio was used - the footage from the camera transcoded into ProRes HQ and edited & graded in that codec. The graphics were all made in After Effects. Cheers!
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  • Nice job Christopher. Simple and well done. Thank you for sharing.
  • Christopher Ruffell plus 3 months ago
    Thanks Eduardo, glad you enjoyed it.
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  • The Funky Monkey plus 3 months ago
    Very neat, sharp and professional!
  • Christopher Ruffell plus 3 months ago
    Thrilled you think so Funky Monkey!
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  • Arlyn Richardson 3 months ago
    Very good Christopher. Great camera work and pacing.
  • Christopher Ruffell plus 3 months ago
    Thanks for the specifics Arlyn, we appreciate it - cheers!
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  • Christian Nitteberg 3 months ago
    Great work. This really proves what the GH1 is capable of with some good quality lenses and some skills. One thing, the dolly moves seems very jerky, Why is that? Because you slowed it down? Was it like that before slowdown? That was a little annoying. I also think there was too much moving around with the camera on some of the interviews. But hey I think its really good work!
  • Christopher Ruffell plus 3 months ago
    Thanks for watching Christian. An indislider pro was used for the 'dolly' movements; it has a lot of play in the bushings and wasn't greased up correctly which added the occasional jerky movement. I agree and stand by the Director in terms of the edit being dictated by what's in the shot, rather than the shot itself. The GH1 is a nice taste of the future of the DSMC market (digital still motion camera) and what things are to come! This is just the beginning... just imagine!
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  • james farnum 3 months ago
    Nice piece of work, Christopher. I found it intriguing that you used a lavalier mike with the GH1 -- and the sound was very clean.

    3 questions:

    (1) Which lavalier mike did you use? (impedence, etc.)

    (2) Have you tried using dynamic mikes or only condenser?

    (1) The GH1 only has AUTOMATIC GAIN CONTROL. Did you find background noise "pumping up" during speech pauses and "pumping down" when the interviewee resumed speaking? (It certainly isn't evident in your film, but it might be a problem with other mikes ("fishpoling" for dialogues for example).

    Is there any way to download your film? I'd like to view it on my 42" LCD.
  • Christopher Ruffell plus 3 months ago
    Thanks James. A brand new wireless set of Sennheiser's were used, not sure on the model or technological variant. They looked and worked well enough for the project, though the gain was a bit higher than it needed to be.

    The auto gain did it's part well, and was only ever noticeable during the beginning and end of the interviews, when long stints of silence occurred. So it worked great, just, don't expect to get any room-tone. I'll be doing dual-recording for the future, as safety is important, especially for real-life, one-take stuff.
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  • FAST CUT FILMS plus 2 months ago
    Your work and doing it with the GH1 is inspirational. Beautifully done. I especially admire your lower third graphics treatment.
  • Christopher Ruffell plus 2 months ago
    I'm glad you noticed the graphics too, thank you.
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