Thank you Saulo Valley

Thx Vj, one of the coolest songs in history. I think the black transitions work best with the original song....

thx Sam-i tried to edit as per black transitions vimeo weekend brief...

(=_=)~ i love jump-cuts on ur animation when Richard turns and looks at his real-self and at the lady pushing the pram ^_^

thx so much tomo. 1ofmyfave songs all time 'n important duration (complete original master) to run with my interpretation of Vimeo Black Transitions Brief

Sasha, ur views invaluable. I agree, but this is interpretation of Vimeo Black Transitions Brief on their Staff Blog for this final cut. Primary repeat is Black Transition Fade Out and In of Lady Pushing Pram. Idea was to create a method for transitioning action by cutting when LPP actually appears to physically cover or obscure a camera, allowing to cut to another scene that starts with a camera seemingly covered, but with Continuity of LPP. So as to run with the concept based on original famous music clip. A bit like how “French Cassoulet” in the Vimeo Brief ran with their’s, with the guy finally leaving the building. The animation of Richard Ashcroft is jump cut repeated to have a dialogue with his real self and that of his original epic (uncut) song.

I could have definitely made more powerful in two minutes, but still with Black Transition Fades as per Vimeo Brief. (But less repeats, I agree ^_^)

That's brilliant advice for Chris, Sasha. I know he highly regards your filmmaking. Did you see the Vimeo Black Transitions Brief? I know a lot of UK Filmmakers & they all say his "black transition" part was spot on with more innovation than just standard fades, but agree 2 minutes would have won it!

Thx Rick 'n Sasha. Ironic that 24hrs no sleep cracks a brief, but 48hrs cld have made shorter. I luv Vimians-So inspiring-Wot can I cut nxt? ^_^

I saw your other Bittersweet Symphony video, and I have to say, I thought it was even more powerful. I guess sometimes longer does not always mean better! Cheers on a work well done.

Sasha

wiv u all the way Sasha. Size only matters in certain areas. Just ask Blake ^_^ (He just luvs those high def res' man!) Actually, I'm now on a plane to the very same Ashcroft St to film a 1'.50"....Thx 4UR support S.

Me & all my colleagues lke both Bitter Sweet versions & Mike Kobal & bartleby. Black Transitions Staff Brief has now changed after comp? So how come they were allowed on the weekend project vimeo channel “during comp” & Black Bitter Sweet Transitions only afterwards, Sasha? Seems unethical, Sasha? (I’ll try & email you about this, in case Vimeo Staff do not post or cannot answer me).

Thanks godino.

Thanks RB1