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A motion control test film by DuckEye developed from 'Iatrogenesis' created for Rambert Dance Company's 'Season of New Choreography'

Choreography Alexander Whitley
Dancers: Jonathan Goddard, Miguel Altunaga, Eryck Brahmania, Estela Merlos
Music: Guy Connelly myspace.com/clockopera

Directed by Duckeye
Produced by Rokkit

Director of Photography: Simon Paul
Gaffer: Jono Yates
Runner: Leonard Wilkinson

shot using Canon D5 MKII with a manual 25mm Carl Zeiss lens.

Credits

844 Likes

  • VJ KodeK 18 days ago
    Awesome Jey. Shot in a Holborn cove I presume?
  • duckeyejey 18 days ago
    Surprisingly it's the DP's own studio! a great space.
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  • Yves Roy and Anuket plus 13 days ago
    Well done ! Very nice. Bravo.
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  • great dancefilm! hope you're submitting it to festivals!
    <3 always, the AOMC
  • duckeyejey 10 days ago
    hi, do you know any festivals which are contemporary dance film focused?
  • yes! let's talk!
    email me at theAOMC@gmail.com and i'll send you some links!
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  • Hajime Chan 10 days ago
    Nice control style!
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  • NuPulse 10 days ago
    Awesome, could be nice have this videos in our show
  • duckeyejey 10 days ago
    Hi, what's the show, would be interesting to learn more.
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  • Milan Sedláček 10 days ago
    Bingo!!!
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  • splurj.com plus 10 days ago
    I'm interested to know how what technique you used to get the video playing inside random blocks? I'm guessing it was a very fiddly process, can you tell me more about the techniques you used please?

    Fantastic work, very inspiring.
  • duckeyejey 10 days ago
    hi yes it was fiddly. It involved constructing a 3d grid object in AE which followed the real grid. This virtual grid could then be used as a Track Matte to mask out elements from each of the 3 or 4 motion control passes. The fiddly part was adjusting the virtual grid with a distortion mesh to match the uneven nuances of the real grid. hope this makes some sense?
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  • splurj.com plus 10 days ago
    It sort of makes some sense, I should maybe do a bit of research into track mattes as I've never used them before. How did you manage to get sections of the footage to display randomly in random blocks? That's the bit that's most confusing me. I'm guessing there were some tricky expressions used?
  • duckeyejey 10 days ago
    That's achieved by the dancer being in a different position in relation to the other pass with the motion control rig. It's all in camera apart from the compositing, no expressions required!
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  • splurj.com plus 10 days ago
    I understand that, but... ok lets see if I can explain what I'm trying to get at (sorry I'm not great with the technical terms).

    I'm looking more at the squares which appear to be masks over the different pieces of footage, and where and when they appear. Where these square masks animated manually along on timeline?

    Like, you placed the footage then every now and then, over a few frames, you'd draw a square mask in position over the squares on the grid?

    I've probably made this sound so long-winded and there's probably some simple explanation, sorry for bugging you, I just can't get my head around it :)
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  • Luis Soldevilla 10 days ago
    mmm ... motion control ... how many expresive posibilities! very well done, congratulations!
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  • Haridas Stewart 9 days ago
    this is the exact level of editing i aspire to, extremely inspiring, really really loved it!
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  • Luhmarie 9 days ago
    very nice!!!
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  • Geebran Warchausky 9 days ago
    ULTIMATE!!! This is evolution.

    Congrats!!!
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  • Daniel Burke 9 days ago
    Ooooo cool. nice fiddly.
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  • Allan Duso 9 days ago
    Wow this looks really sweet! I watched it twice and was still awed by it.

    What is your workflow for going between Final Cut and AE
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  • Greg Luscombe plus 8 days ago
    Brilliantly edited, great lighting and choreography. Nice one
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  • Beatifuly done, and the timing...
    I have experimenteded with some mattes but never to this degree.
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  • Mark Liebenberg 8 days ago
    Superb editing and Great dancing!
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  • Sasha Fornari plus 8 days ago
    amazing!
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  • Dan Thompson 7 days ago
    Really cool Idea. The giant pixels make it feel as though you are watching a giant screen. But then you see all the beautiful parallax and you go.... What the?... How did they?... Ahhh, I see... THATS AWESOME!
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  • Brown 7 days ago
    The mind boggles.
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  • Robert Shaw 7 days ago
    I love this, the visuals the dance the music, always moving never closer, superb.
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  • Patricia Borgess 7 days ago
    The performers' outfits were too distracting for me to enjoy the film - they weren't attractive and did not relate to the rusty fence grid or electronic music. It looked like characters from an Old Navy commercial who were kidnapped and forced to dance in a prison.
  • Nitram Kowan 3 days ago
    YNow that's being too critical. Do something great as this once in your life and then we'll chat.
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  • ben cleek 7 days ago
    Thanks you for making this! Nice work....everyone.
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  • Virginiaeversole 7 days ago
    To all of great minds as individuals, you are absoultely remarable!
    This puts your sensors to the test!
    Ginny
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  • Candlegravity 6 days ago
    Dam, cool video and that music was freakin' AMAZING!
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  • creative-control 5 days ago
    Just excellent work, a wonderfully creative result
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  • andresito kun 3 days ago
    inspiring!
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  • Morty Now 2 days ago
    Love love it!
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