Diana Combo / portugal
EOSIN started to work with deformed vinyl records trying to overcome the frustration of having an object that is not usable in a conventional way, letting the errors
printed on the surface sound and join what is already recorded. In this way she creates different layers that combine into a new composition that changes the
audiences perception about the music they are familiar with. Sometimes she tres to control the error, hiding it and sometimes she just manage to create a result that
sounds like there is some kind of error, when there is none.This process involves the use of old and deformed records or old/new records she has or buys. She cuts
and joins different pieces, burns or adds pieces of tape onto the surface to create patterns that superimpose themselves on the sounds that play.

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