COMING SOON...ONLY IN THEATRES

D'AGOSTINO - something volcanic is erupting at the caldera
a JORGE AMEER film
WRITER/DIRECTOR/PRODUCER/EDITOR - Jorge Ameer

GENRE: DRAMA/THRILLER

an A.J. PRODUCTIONS KAVALARI MAMA'S HOUSE production
(GREECE, UK, USA - 2010)
CAST - Keith Roenke, Michael Angels, Torie Tyson, Jorge Ameer
EXECUTIVE PRODUCERS - Jorge Ameer, Fanis Kavalari, Thomas Likourinos, Irini Likourinou
PRODUCERS - Zach Voytas, James Vegas
DIRECTOR OF PHOTOGRAPHY: Zach Voytas

a HOLLYWOOD INDEPENDENTS release

more motion picture info
hollywoodindependents.com


LOGLINE -
Heading on a transatlantic voyage at sea from an Italian lab to America, D'AGOSTINO is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother's island estate. He's in a loveless relationship with his common law spouse Sylvia Krystel. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend .

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ABOUT THE STORY
People are a mere obtrusive distraction to Allan Dawson. Stuck in a sedentary relationship with fiancee Sylvia Krystel, his dull repetitious existence gives no gratification. He has a sublime disposition yet an underbelly filled with perceptions of atrocities. His social reality lies bleak in a life situation he sees no solution to until one day he's informed about the inheritance of property left by his grandmother in Santorini, Greece. His impressions and interpretations of his life are obstructed by his constant whaling of irreparable social political and moral solutions he has no control over. However, with his new found real estate acquisition, his inner thoughts and points of view will gradually be coming into being as he's unexpectedly introduced to D'Agostino.

The discovery of D'Agostino encourages a well-meaning ineptitude that rises to empyreal absurdity for Allan, but as his interactions progress, we are exposed to a monstrousness; a penetrating ferociousness within his state of mind that leads to a quality of being ruthless, cruel, harsh, and unrelenting. We soon see Allan fall into the depths of moral perversion which will ignite an explosive and unforeseeable backlash, hence becoming the victim to his own actions.