
Lighting Infinite White
5 months ago
An infinite white background is more than hip and trendy. Clean, professional and flexible, the secret is in the lighting. And while framing the head and shoulders is easy, lighting a full-body shot is much more complex. This segment shows you how to Light Infinite White, on a finite budget and in a limited space.
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p.s., I whupped yer butt at Donkey Kong at videopia.org, by the way.
Great work, DEF. Would have expected higher "quality" (read: PRICED) lights for the visual quality you've got here.
DEF, it was a great piece of work. I'm out hunting for the materials already. Thanks again for some great information!
davecolorado.com/index.php/videopia/
spent the whole evening watching your video
thanx a lot!
Would be nice if you told about keying out white and whether it is harder than keying green.
Yes, the audio in this segment is really hollow because I was shooting with a shotgun in a small enclosed space. In the evolution of the "studio," I worked on lighting first and then audio (which gets better in later segments - more treatment of the space like you recomend and swithed to cheap lav). I'm STILL struggling with the audio.
And yes again: white is easier to key on simply because white fringes and imperfect keys are much more forgiving than trying to deal with green halos. Yes, I can do a perfect key in this setup, but it's a lot of work in post (like it ALWAYS is in any situation) and I just don't have the time or talent to do that and still finish a segment every other week.
Thanks!