THE SPINSTER is a performance art/video art single-channel movie about an office worker who lives to draw in the classical style. I used Method acting to develop the character by drawing every day for two months so that I could draw on camera without cues, diagrams or even anatomical models. Except for a few minutes of documentary style footage taken my husband, this is a one-man movie. The movie was shot on first-gen Canon Vixias, except for the street scenes, which were shot on a Flip.

THE SPINSTER is obsessed with the Mannerist painter, Jacopo Pontormo. "Pontormo's Diary" is the only thing she has on her IPod. The words seem to put her in a trance.

The Spinster lives alone, sleeps wrapped in a blanket on the floor of her apartment in the only space that's not covered with art supplies, rolls of paper, monographs of Renaissance art, and her own drawings. She lives mostly on eggs & salad, just like her spiritual mentor, Pontormo.

This project was inspired by a painter Back East who bought gallons and gallons of Cerulean oil paint at a closeout sale in Chelsea way before Chelsea was cool. A huge sheet of paper covered with Cerulean figures reminiscent of Pontormo's and Michelangelo's drawings hung permanently in his living room. He could not go a day without drawing. The Spinster can't go to the bus stop without drawing.

I discovered something very interesting about this character during my late shoots. She is not unhappy and she is not having a midlife crisis - so, that could not be the theme of this story! After drawing almost every day for months, and being in character on camera for 40 minutes straight drawing life-sized versions of what's in my Moleskins, I re-discovered true contentment. The only thing that could cause The Spinster to have a midlife crisis is a pencil lead shortage. She lives in joyful existential oblivion.

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