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5,000 Royal Inniskilling Fusiliers from across Northern Ireland fought in the first day of the Somme. Nearly half of them never left its fields.

This is a short docu-drama created for a new exhibition at the Royal Innskilling Fusiliers Museum, Enniskillen, Northern Ireland.

Production Company: Blackbox-AV Ltd. (blackboxav.co.uk)

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  • Philip Bloom pro 3 years ago
    Really nice Craig. You have done a cracking job!!
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  • Philip Bloom pro 3 years ago
    the download version doesn't work for some reason
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  • Craig Spenceley 3 years ago
    Weird. Seems to be working for me. Shall investigate.
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  • Will Mahoney 3 years ago
    Damn fine work, gentlemen! I love it!
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  • Tom Guilmette plus 3 years ago
    WOW, that ex1 in 24p and at 60 fps translates so well to Vimeo. The colors, the depth, and the shot composition was excellent. I hope you guys all collaborate on future projects and post more stuff here. Great look Phil.
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  • Eldar Bayburin 3 years ago
    very cool!
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  • bill ravens 3 years ago
    Stunning...chilling.
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  • Sebastian Linda plus 3 years ago
    Absolutely beautiful cinematography!!!

    But: If I would have seen it without focusing on the visual site, I would have lauhed a little bit, because we speak of so many thousand soldiers and only a dozen walk out of the trenches.

    I know that it is hard to do, but the difference from offspeaker to picture is kind of funny.

    Though: Awesome work!
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  • Stephen Lewis plus 3 years ago
    Wow, just wow! You inspire me, seriously!
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  • astute 3 years ago
    well done, I wonder, how many hours did ya spend on just color correcting and post? (not mentioning the editting)
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  • Craig Spenceley 3 years ago
    Thanks for all the kind words everyone.

    Astute - Phil gave me great footage to work with. But, all told, post on this project (and the two animated films that were produced with it) ran 4 weeks.

    On this film alone I would say there were 50 man hours in post.
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  • Mike Walker plus 3 years ago
    Really enjoyed it, excellent filming, wonderful editing and colouring to produce the exact atmosphere. The EX1 in the hands of a DOP of this quality shines very brightly indeed.
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  • Brian Boudreau 3 years ago
    incredible work guys. really enjoyed it
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  • arun r 3 years ago
    nice work wht kind of filters used? any idea?
  • Philip Bloom pro 3 years ago
    no filters used
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  • Ron Sheesley 3 years ago
    Great, dramatic timeslice of a very important turning point in history. Its importance & connection with the turning point-- represented by the oft-mentioned "Taxi-cab brigade," in the clash at Verdun --and the role of Northern Ireland's brave volunteers is, perhaps, too often overshadowed by that (sic) famous picture of the French defenders of Verdun...
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  • Santo W plus 3 years ago
    Excellent piece, Craig! Congrats to the team.
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  • Guyzo plus 3 years ago
    I'm completely blown away.
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  • Craig Spenceley 3 years ago
    Thanks Guyzo, and stw254. Good to know there's still people enjoying. I was fortunate enough to work with some very talented people in putting this together.

    Arun r - apologies for not answering sooner. No filters used in-camera (with the exception of the Letus Extreme and Phil's lenses). Everything else was done in post using Magic Bullet Looks.
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  • monso plus 3 years ago
    fantastic..
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  • alex bloom 3 years ago
    i like it, great job. but i have something to ask? is it a common problem of the letus extreme that the edges are out of focus and darker then the rest of the picture our is it a problem at a specific aperture? i saw some footage of the new ultimate where this problem didn't show of....it's a reason why i am not a big fan of such 35mm convertors, lens vignetting is always a problem and sharpness seems always to be a little sloppy. moreover it's harder to pull the focus of those convertors, then on real 35mm cameras. i like it anyway....well done!
  • Craig Spenceley 3 years ago
    Glad you liked it, Alex. The client did too, which is always a good sign.

    The vignetting on this particular short was a grading choice in post. You'd have to ask Phil Bloom, the DoP, about any problems with the Letus. He's the man with the knowledge.

    Well, not *the* knowledge... I don't think he drives a London cab...
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  • walt 3 years ago
    loved it, but i didn't really like the music.

    how long did filming take?
  • Craig Spenceley 3 years ago
    Whole thing was shot in a single day. Shooting was roughly 8am - 5:30pm (when we started to lose light). Glad you liked it.
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  • Miha 3 years ago
    They are all so clean.
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  • Nicolas Bryant 3 years ago
    I'm actually doing a small film on the "location" of Battle of the Somme. (nothing to be compared with I'm an amateur :)
    tvbaiedesomme.com/video/Bataille.mov
    That's how I fell here.

    First thing, this is brilliantly done, with a real artistic and technical view.
    You've pushed this film probably as far as you probably could for a low budget film. (explosions, costumes, decors, storyboard, machine gun, post production...)
    So much work! Amazing

    However as said before it doesn't seem realistic, too little actors compared to the thousands that died there in just a few seconds, a feel of emptyness behind the main characters, not monstruous enough neither, ( the guys are not nervous enough walking out the pits...one doesn't feel the horror) probably for living in mud, they are too clean too (at least their faces)
    Not critics! again brilliant film and never would I be by very far capable of realizing such a piece.
    Glad to see so professional footage on vimeo.
    All the best
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  • Joseph Palmario 3 years ago
    Looks sooo good Craig! Sepia tone was nice.
  • Craig Spenceley 2 years ago
    A good deal of that is down to the great Phil Bloom - I just tinkered a bit in post with the ever-useful Magic Bullet.
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  • Dustin Keiser 3 years ago
    should have had the actors not shave for a few days, not shower for a few days and run a mile and roll in dirt before the shot =P looked awesome
  • Craig Spenceley 2 years ago
    If only I'd had the time to put them through boot camp...
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  • joe gray 2 years ago
    Very good work editing and shooting! So that is an EX1 on 24p with 60fps? I imagine you achieved the sepia feel in post, but as far as lighting goes how did you achieve the soft feel without knowing exactly what was going to be the final outcome?
  • Craig Spenceley 2 years ago
    25p, but other than that you're spot on. Graded in post with Magic Bullet. I pushed warm browns for that Sepia feel when we're with the men in the trench, and gradually pushed into a cooler palette as they climb into the harsh reality of no-man's land. Or something like that.

    Lighting was all natural daylight, diffused by the wonderful British clouds.
  • joe gray 2 years ago
    wow excellent
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  • Where did you shoot this? Did you have to just go out and dig a trench with spades? THis gives me inspiration for my up and coming film about the battle of the Somme.
  • Craig Spenceley 2 years ago
    Shot in a trench system already dug in a field outside of Ipswich, UK. They're used a lot by film and TV for this sort of thing as they have both British and German lines.
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  • Rcom Creative plus 2 years ago
    Fantastic. Really.
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  • Miha 2 years ago
    Soldiers are so clean ... hygiene was on rely high level.
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  • Excellent film, found it very moving especially having visi8ted Thiepval recently.
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  • guillermo castellanos 3 months ago
    Great job! if it wasn't a lot of budget an amazing accomplishment!! And Phillip, great job with the colours and tones!!!
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