Three narrative threads are delicately interwoven in an intimate, moving, and constantly surprising monologue performance from acclaimed performance group version 1.0. Combining field notes, oral history, slides, Super-8 film, video installation and the display of various artifacts, The Bougainville Photoplay Project grapples with the ethical, epistemological and practical dilemmas of making art and conducting research in post-colonial, post-conflict settings, particularly when the artist/researcher is a citizen of the former colonial power.