After baking on 2's, I would start to take a look at the timing. Without going into the graph editor, I start deleting and shifting keys to make a hold cleaner, a transition faster or to cut something that seems "over-animated" (too much movement). I then start thinking about the poses themselves and push them for maximum appeal and readability. In some cases, I'll add acting beats for what I feel the subtext is in the dialogue. Here is what it looks like after I've done my blocking pass with the motion data.

Read "Using Mocap As Reference" here: petepaquette.com/2014/03/05/using-mocap-as-reference/

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