This is the first realization of State Of Faith, a film which could be assembled infinitely.
The film was shot utilizing a simple spring-wound 16mm camera , fluctuating between approximately 16fps to 20fps. Much of the material shot for this film is featured in this version. Included are the filmed interviews, relatively synched thanks to digital editing capabilities. Other sequences feature variable frame rates, unlike the finished 2003 version of the film which ran the original footage as filmed. Alternate takes of many of the music tracks are featured in this version as well.
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