This is a short film test with Vantage Film's Hawk anamorphics that I shot before shooting the short film "Poste Rest".

First I had an idea to shoot with Aaton LTR S16 without anamorphic viewfinder but as one can see, the image is distorted because of the alignment of lens mount. Then I swapped to Arri 416 with Vantage's anamorphic viewfinder and everything worked as it should.

In the end of the test video there is some raw material from the short film. I have also a clip here in Vimeo from the color graded Poste Rest that might make a good comparision to the raw material.

PART I: CAMERA, LENS AND FILM STOCK TEST

Aaton LTR, S16mm
Arriflex 416 Plus, S16mm

Hawk Anamorphic 1.3X
18mm Hawk V-Lite 16 T1.5
35mm Hawk V-Series T2.2

Kodak Vision3 500T 7219

PART II: UNCORRECTED TAKES FROM THE MOVIE'S RAW MATERIAL

Arriflex 416 Plus

Hawk Anamorphic 1.3X
18mm Hawk V-Lite 16 T1.5
35mm Hawk V-Series T2.2

Kodak Vision3 500T 7219
Kodak Vision2 250D 7205

------

Clip from Poste Rest
vimeo.com/14609800

My experiences shooting anamorphic with Hawks at Cinematography.com
cinematography.com/index.php?showtopic=41898&hl=hawk

Vantage Film
vantagefilm.com/file/pdf/equipment_42.pdf

Loading more stuff…

Hmm…it looks like things are taking a while to load. Try again?

Loading videos…