Splitbrain came from a task for a subject on audiovisual creation, related to russian director Dziga Vertov and his famous "Eye-cinema tendence". Their intention was to be accurate with the spirit of “The man of the camera” (1929). The only modified rules were to introduce actors on the video and have a slight plan for it.

The aim was to find out how powerful television is, as a manipulation tool, through the three most important elements in life: health, money and love. We can see the protagonist on an endless loop, which is difficult to get out from.

The montage, structure, and the two screens together intend to show how the television saturate our vision, with products that you have the obligation to buy in order to be into fashion, and its comparison on real life.