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A week after the devastating earthquake hit Haiti, I was hired to shoot ENG footage for two international networks. This is a montage of personal footage I shot of the aftermath during my spare time, in and around Port au Prince. We were in Haiti for a total of 6 days in which 2 of those days were spent traveling to and from Santo Domingo, Dominican Republic.

Due to the situation on the ground, all the footage was shot in 2 days, under direct sunlight and a great deal of pressure. As demanding as it was, it taught me how to pick shots on the fly, and in "not so perfect" lighting or shooting conditions.

In regards to equipment, we traveled very lightly as security and logistics were our main concerns at that time. Once again the Kessler Pocket Dolly proved to be an essential tool in capturing my images.

Lenses used:
Canon 16-35 f2.8 L-series
Canon 70-200 f2.8 L-series
Canon 24-70 f2.8 L-series

Locations: Port au Prince, Leogane, Carrefour
Producer: Susan Modaress
Music: Eric Wollo wollo.com
Editing/ Color grading: Khalid Mohtaseb

More info on my website nextlevelpictures.com

If you have any questions/ comments feel free to post them or email me at khalid@nextlevelpictures.com
  • great work
  • 23 Pictures 1 year ago
    Khalid,

    Just showed this piece to my 1 yr old and 4 yr old boys.

    My 4 yr old said ... "Dad, maybe we could build them a house and fly them on a plane here so they could live in it." They were so captivated and quickly noticed the kids having a bath in the street and asked me "why?"

    I think this debate is overblown, Khalid was hired as an ENG shooter and this was something he did on the side, in addition to the stories he shot with a HPX-500 for the networks.

    These images are powerful and unique ... I dig it.

    'J-dog
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  • Simon plus 1 year ago
    Really nice, great colours and movement too.
    Simon Fuller
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  • Mike Wilkins pro 1 year ago
    Great work in such adverse conditions. Must have been a challenging shoot.
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  • Tom Lowe pro 1 year ago
    Great work, Khalid. Opening shot with that truck is a stunner.
  • Khalid Mohtaseb plus 1 year ago
    Thanks for recommending it Tom. Its def more powerful as an opening shot. Looking forward to working together soon.
  • Tom Lowe pro 1 year ago
    Absolutely.
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  • Truly haunting. Technically very nice too.
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  • Really good shots, Khalid. Thanks for sharing.
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  • Fernando Menendex 1 year ago
    Shocking ending, the machine gun shot. I like it.
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  • Kaysha 1 year ago
    Vibrant
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  • Wayne Avanson plus 1 year ago
    stunning

    Avey
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  • mikebrand plus 1 year ago
    Wow! Very powerful, great footage,
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  • Dan Chung plus 1 year ago
    Brilliant!
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  • Wade Hampton plus 1 year ago
    A beautiful powerful piece, Khalid.
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  • Daniel Gustafsson plus 1 year ago
    Thanks for sharing!
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  • Robert Vinet 1 year ago
    Very good and important work.
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  • Genus Products pro 1 year ago
    Amazing piece of work.
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  • gary nadeau plus 1 year ago
    Thank you for documenting Khalid. It was visually stunning and heavy hitting. Did you keep any other kind of journal while you were there?
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  • Tyler Ginter plus 1 year ago
    Incredible work as always! Thanks for sharing :)
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  • very beautiful. thank you for sharing with us!
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  • MILapse 1 year ago
    really great eye here... kudos!
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  • Chris Mierzwinski plus 1 year ago
    Awesome work!!
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  • Olivier Koos 1 year ago
    really great work! Did you also use the Hercules 2.0 head?
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  • Stijn te Hennepe 1 year ago
    wow again wondeful shots...I want this camera, I want that slider and I want your talent!
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  • Joe Simon Films plus 1 year ago
    What a great piece. Sad and real. Beautiful cinematography and editing.
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  • MrGlory 1 year ago
    Wow, very impressive. Your use of the pocket dolly really takes it up a notch, great work. I look forward to your future efforts.
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  • Beautiful piece!
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  • JR THIBAULT plus 1 year ago
    Khalid you are a great photographer. One can feel the passion viewing your wonderful shots.
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  • Megavision Media 1 year ago
    An invaluable visual & graphic document, tragedy & hope to create a totally "cinema verite" artistic expresion. Excellent journalist work. Congratulations !!
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  • Albert Prat 1 year ago
    The canon 5d is amazing
    The quality is stunning!

    Congrats, good work!
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  • John Brumbach plus 1 year ago
    the pocket crane takes the HD-DSLR footage to a whole new level.
    did you use any ND filters?
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  • dialate Unleashed plus 1 year ago
    haunting work, beautifully shot. well done!!
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  • Jeff Arnold plus 1 year ago
    Amazing work.
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  • Spencer Black 1 year ago
    Powerful work Khalid.
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  • jehu Garcia plus 1 year ago
    Wow the feel of a movie, with the knowledge that it is real. It's like being there, hope HDSLRs start finding their way into news organizations as these images are more powerful than any report I've seen about Haiti disaster.
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  • ABAS 1 year ago
    have to disagree, there are situation for everything, for me the use of a glide track or what ever is totally out of question in a devastated place like Hati, it may be to beautiful for the content that you are sharing. I can imagine how tough it is for you to choose which shot to leave in the final edit, but as Godard said every shot is a moral desicion.
    For me the still shot of faces are way more powerful and the eyes express much more.
  • Dave Christenson plus 1 year ago
    totally agree with ABAS...not the place for unmotivated and totally non-essential dolly movement...and to suggest less than perfect lighting in a situation like this is completely pretentious...
  • Zach Gray 1 year ago
    Had the same thoughts as I watched this.

    Well shot, but out of place.
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  • Dustin Bennett plus 1 year ago
    Wow...... Amazing work!
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  • Arif Rasib 1 year ago
    great camera, great lens, and above all awesome gift of talent you have Khalid. cinematography and the choice of sound were heart touching. Mashallah keep it up.
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  • Peter H. Chang plus 1 year ago
    Incredible! Best footage I've seen come out of Haiti - this is emotional and indelible photography. Khalid makes it personal - you want to know these people and their stories. You can see the sadness and pain in their eyes. And yet there is hope - children will continue to play, and the city will be reborn. Great edit!
  • Khalid Mohtaseb plus 1 year ago
    Thanks Peter! Looking forward to collaborating on Lightscapes.
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  • Oliver Wilkins plus 1 year ago
    Humane, dignified and beautifully shot.
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  • Stephen Lee Carr plus 1 year ago
    Nearly speechless. Wow.
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  • michaschmidt 1 year ago
    frightful & stunning at the same time ... well... good work ... such a powerful clip ... glide-track usage is great
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  • Andrew Laparra 1 year ago
    Wow. The video was great. Really. But Haiti is not looking good! Thanks for portraying the devastation in Haiti. May we not just watch it, but send money and clothing and food to help these people.
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  • Marcus O'Brien pro 1 year ago
    Quality footage like this should have been used as the news bulletins closer sequence.... would have increased global donations significantly.

    Having been to the devastating Pakistan/Kashmir earthquake in 2005 I appreciate what it takes to shoot in pressured environments and produce something like this.

    Well done Khalid
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  • Andrew Laparra 1 year ago
    And the Kessler looks amazing. Great job!
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  • Brandon Rottman 1 year ago
    this is very moving
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  • Dave Christenson plus 1 year ago
    some good images...but why all the dolly moves? there is no motivation behind them...its just like you're saying 'hey everyone...look what i can do'
  • ABAS 1 year ago
    totally agree. I wish there was a little bit more conscience on the professional level of internet dp's
  • MrGlory 1 year ago
    Curious to your objection to the dolly shots, how is it different from those of Baraka's for instance? Or is it "too soon" or different in an important way? I ask because if in a related military situation I might've opted if possible to shoot similar because it brings movement to a lot of static or panning shots that might wear a full edit down... Not saying your concern isn't warranted just want to make sure I fully understand it, where it crosses a line that a thoughtful composition doesn't already.
  • Dave Christenson plus 1 year ago
    I just feel there should always be a motivation behind a camera movement...ex. something changes in a scene or the camera moves to reveal something new or to create emphasis...not just because you have some slider thing on hand...in this situation especially there is no reason for it...all this suffering...a quarter of a million people dead...and there is no story told here...just technical specs on the description...wish there was just more to the piece...something of substance or some point other than something for his reel...you guys can hate on me all you want...these are just my opinions and criticisms...
  • MrGlory 1 year ago
    Thanks for the reply, no hate here, there is definitely a fine line in situations like this and the more understood the opinions, then the potential for better decisions in the future is strengthened. This art form is very communicative, and I'm sure as shooters we don't want to send the wrong message.
  • Crooked Path Films plus 1 year ago
    I think what Khalid is trying to do is enhance the emotion of the shots via the dolly and nothing else. I can see how people think he's proclaiming "look what I can do!" But I don't think that at all. It's all subjective. I'm guilty of overusing my slider dolly too, mainly because it's SOOOO easy to use, haha.
  • Paul Higham 1 year ago
    I'm with Dave, while the footage is beautiful we KNOW that's what HDSLR footage looks like now, there has to be a point, a story told.

    This video is still incredibly moving by the way, just don't forget to tell us a story!
  • Preston Kanak plus 1 year ago
    Although I am late on this (and haven't read the posts past this point), everyone is aware of what happened (is happening in Haiti). It is important that it is documented for future generations. I think if we are able to make it look as good as possible for future generations, I think it is our obligation to do just this. Unmotivated dolly? I think it enhances the still images when they are shown, it sticks with you. Great job Khalid. You will eventually be thanked for capturing what you did.
  • (Hey, I'm even later.)

    I can't resist commenting on the objections to the slider.

    Pan, tilt, pan, tilt, pan, tilt, dolly.

    With the advent, and soon to be general ubiquity, of the tripod mounted dolly (I've just added a 20-incher that I plan to leave on all the time), the cinematic/aesthetic/cultural objections to dolly as an addition to panning and tilting are about to to be moot.

    In another year, it will be just another camera movement. And then it will make no difference if I pan to reveal something, or if I slide a few inches.
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  • Alex DiFiori 1 year ago
    It looks too good for the point to be that Haiti was just hit by the biggest earthquake ever.

    It looks like just another third world country.

    This suggests to me that your goal is to show that while Haiti was just ripped apart, the people are getting the help they need to recover.
  • Alex DiFiori 1 year ago
    To clarify, I mean the footage looks great, but there's no story.

    Just: building shot/person near tears/more buildings.

    You get close with the people bathing and the woman washing her clothes, but you loose it everywhere else.

    Show some volunteer efforts, show something happening.
  • Dan Proud 9 months ago
    Dave / Paul, no story told?? effective pictures tell a better story than any amount of words. I'm both shocked and moved by the Haiti situation by watching this, I didn't need to read a story. Khalid's captured something unique, and I don't think his purpose was to capture clean up / recovery efforts.
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  • Jonathan Worth 1 year ago
    What a fantastic 'montage of personal stuff', great that you made time to shoot all of this away from your commission and share it with us. Really beautiful, very moving and inspirational.
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  • Monika Ewa 1 year ago
    beautiful work!
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  • Attilio Cerqua plus 1 year ago
    Good work, beautiful colors. This shoot are very impressive and dramatic.
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  • calease plus 1 year ago
    no words, Khalid
    =
    c
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  • Jahaan London plus 1 year ago
    Outstanding
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  • C.C. Chapman plus 1 year ago
    Powerful images and video. Thank you for sharing this.
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  • classy work, Khalid - simply love the angry waterwoman. water always tells the story...

    keep it up,

    roger
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  • planetMitch plus 1 year ago
    featured on planet5D blog.planet5d.com/is7
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  • Shane 1 year ago
    Extremely powerful and moving. The music speaks volumes about the plight of the Haitian people.
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  • liz 1 year ago
    Very powerful. Excellent job.
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  • Kevin Blosser 1 year ago
    very nice Khalid! Moving...
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  • Isabelo Pascual 1 year ago
    Very powerful Khalid! Great depiction of their struggle. Hopefully people may see this and understand before they assume. Good luck!
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  • Rico plus 1 year ago
    I'm such a fan of your work!
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  • monogocoro 1 year ago
    Great and very important work.
    Thanks for sharing.
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  • Raymond Gangstad 1 year ago
    Amazing! Great job Khalid!
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  • A beautifully captured cinematic piece of the 2nd largest nature-caused tragedy of our lifetime..
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  • Superb.
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  • BumKi Cho plus 1 year ago
    Very nice work.
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  • zoofactory pro 1 year ago
    bad history...beautiful work! i love my 5d mk2...respect for haiti
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  • domenico bandiera plus 1 year ago
    fantastico....bravo
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  • Eris Curo 1 year ago
    beautiful!
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  • Vertical Images 1 year ago
    I agree with a few other comments here, the fact that the lighting was a worry for you when 300k are est dead, everything is destroyed, people lost family and homes, I think it is really sad, this isn't a movie, it is life.
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  • Vertical Images 1 year ago
    this is life, this is not a movie, LIFE, there is more to lighting conditions.
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  • Brian Wiley 1 year ago
    Are your shots lit?
    Do you shoot using the super flat picture profile. You make the 5D look so amazing.
    Thank you!
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  • Joaquim Bel plus 1 year ago
    Breathtaking job.

    Congratulations man.
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  • Daniel Mendez 1 year ago
    Impresionante!!, y la música en hermosa..
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  • Lucas 1 year ago
    Un trabajo excelente, la musica impecable para este tipo de trabajos. 10/10 =)
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  • creative-control 1 year ago
    Why dolly at all? As with others, not sure if this is journalism or 'look at my lovely reel'.
  • Khalid Mohtaseb plus 1 year ago
    So you're saying that this is not journalism because it didnt look like the garbage we see on the news or the poorly shot documentaries that we all know about?
    You make no sense.
  • creative-control 1 year ago
    No, it's looks great, that's the problem for me. It's somehow a bit contrived. The dolly thing is nice on the intro shot, but all of them? As a former news producer I've had lots of footage before me that is far less good looking, but this a massive tragedy that is larger than an opportunity to exercise aesthetic instincts. This may make no sense to you, or others. No offence, you use a camera really well, peace, out.
  • Uche Onwudinjor 1 year ago
    Well, still talking news, I think the essence of television is getting the viewers to feel like they are where the story is. The dolly psychologically gives that kind of feel, I presume. Nice work Khalid! and a smart observation too, Creative-Control! Cheers!
  • Bryan Rich plus 1 year ago
    I think the goal here was to create an emotional mood and connection. So much of what we see on the news feels like they set up the camera and hit record. All emotion is taken out of it. Although CNN did some nice stories. Where as what Khalid did made me feel something. I agree that there was no story here but if you read the description, this was extra footage that he got. But even so I think the images do tell a story.

    Well done Khalid.
  • ana cañizares 1 year ago
    i think creative-control said it in a nutshell. its not that "real" should look like garbage, its just that the aesthetic effort here is so palpable that it seems to diminish to significance of the tragedy. its tricky, and all of this actually raises a very interesting debate. i don't by any means think khalid should take it as negative criticism. the footage is beautiful and congrats are in order no matter what.
  • Rory Lambert plus 1 year ago
    Technically I might have chosen a few wider shots, but this was edited from just TWO days of footage!

    I have to say that this footage is a nice counter view to the over hyped looting footage that most networks were running.

    One network showed footage of people that were having fun flattening boxes for creating sleeping areas, but the voice over claimed the people in the shot were rioting! If you slowed down the footage, you could see them laughing and smiling while the voice over talked about violence and looting.

    The "normal" coverage was 99% doom, unless western rescue teams were in front of the lens, this footage actually made concepts such as rebuilding seem like an honest possibility.
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  • samuel Holder 1 year ago
    That was heartbreaking to watch. Incredible work.
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  • Matthias Fuchs 1 year ago
    Respect .. well done. The faces tell the truth.
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  • What a wonderful work, you've done a perfect footage, different from what we normally see on Television, this sounds like "visual poetry".
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