Violinist GIDON KREMER has a "cult" following - and I am the leader of that cult.

Gidon Kremer has been one of my favourite solo violinist for many years.

Here is a short biography on the amazing man, whom I first heard dance across his Stradivarius with his bow, way back in 1980. It was this man who caused me to fall headlong into the world of classical music, when everybody else was either dancing at discos or playing the latest Black Sabbath album. I was no different, but Kremer, his class, his style and his PASSION winkled me into another world altogether. I will always be grateful for his influence on my life, as I spent it flirting with beautiful music. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Of all the world's leading violinists, Gidon Kremer has perhaps had the most unconventional career. Born in Riga, Latvia, he began studying the violin at the age of four with his father and grandfather, who were both distinguished string players. At the age of seven, he entered Riga Music School. At sixteen he was awarded the first Prize of the Latvian Republic and two years later he began his studies with David Oistrakh at the Moscow Conservatory. He went on to win prestigious awards including the 1967 Queen Elizabeth Competition and the first prize in both the Paganini and Tchaikovsky International Competitions. This success launched Gidon Kremer's distinguished career, in the course of which he has established a world-wide reputation as one of the most original and compelling artists of his generation. He has appeared on virtually every major concert stage with the most celebrated orchestras of Europe and America. Also he has collaborated with today's foremost conductors, including Leonard Bernstein, Herbert von Karajan, Christoph Eschenbach, Nikolaus Harnoncourt, Lorin Maazel, Riccardo Muti, Zubin Mehta, James Levine, Valery Gergiev, Claudio Abbado and Sir Neville Marriner among others. Gidon Kremer's repertoire is unusually extensive, encompassing all of the standard classical and romantic violin works, as well as music by twentieth century masters such as Henze, Berg and Stockhausen. He also championed the works of living Russian and Eastern European composers and has performed many important new compositions, several of them dedicated to him. He has become associated with such diverse composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Aribert Reimann, Peteris Vasks, John Adams and Astor Piazzolla, bringing their music to audiences in a way that respects tradition yet remains contemporary. It would be fair to say that no other soloist of his international stature has done as much for contemporary composers in the past 30 years. An exceptionally prolific recording artist, Gidon Kremer has made more than 100 albums, many of which brought him prestigious international awards and prizes in recognition of his exceptional interpretative powers. These include the "Grand Prix du Disque", "Deutscher Schallplattenpreis", the "Ernst-von-Siemens Musikpreis", the "Bundesverdienstkreuz", the "Premio dell'Accademia Musicale Chigiana", the "Triumph Prize 2000" (Moscow) and in 2001 the "Unesco Prize". In February 2002 he and the Kremerata Baltica were awarded with the Grammy for the Nonesuch recording "After Mozart" in the category "Best small Ensemble Performance". The same recording received Germany's ECHO prize in 2002. In 1981 Mr. Kremer founded Lockenhaus, an intimate chamber music festival that continues to take place every summer in Austria. In 1997, he founded the Kremerata Baltica chamber orchestra to foster outstanding young musicians from the three Baltic States. Since then, Mr. Kremer has been touring extensively with the orchestra, appearing at the world's most prestigious festivals and concert halls. He has also recorded a number of CDs with the orchestra for Teldec, Nonesuch and Deutsche Grammophon. From 2002-2006, Gidon Kremer was the artistic leader of a new festival in Basel, Switzerland, "les muséiques". Gidon Kremer is in addition a gifted writer. He is the author of four books in German that reflect his artistic philosophy: Oase Lockenhaus: 15 Jahre Kammermusikfest Kremerata Musica 1981-1996, (Residenz Verlag GmbH, 1996), Kindheitssplitter (Piper Verlag GmbH, 1997), Obertöne (Residenz Verlag, 1997) and Zwischen Welten: Mit 25 Abbildungen (Piper Verlag GmbH, 2004). Kindheitssplitter has been translated in Russian, Latvian, French and Japanese. Gidon Kremer plays a "Nicola Amati", dated from 1641. He is also the author of three books, published in German, which reflect his artistic pursuits. Bio taken from the following website - kremerata-baltica.com/biokremer.htm

Loading more stuff…

Hmm…it looks like things are taking a while to load. Try again?

Loading videos…