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44. Tokyo/Glow HD
1 year ago
A branded short film for The Generic Man by Industry Films and Citizen Jones.
Written and directed by Jonathan Bensimon and produced by Jonas Bell Pasht, Tokyo/Glow follows the nighttime journey of an illuminated man from a crosswalk sign as he embarks on an adventure through the streets of Tokyo. Shot on location throughout Tokyo using thousands of individual digital stills, the short film features original music by indie rock band Kidstreet, who recently signed with Nettwerk Records and will be releasing their debut album worldwide in 2010.
To achieve the striking effect of the illuminated man, an original light suit was constructed using hundreds of feet of high-voltage LED rope lights and a translucent nylon outer shell. Michael Lambermont, executive producer at Alter Ego in Toronto, oversaw the effects-heavy post-production process, which included weeks of extensive rotoscoping and compositing in the facility's two Flame suites, plus a final colour grade, once the effects were complete. Geoff Ashenhurst, editor at Stealing Time, was charged with bringing the thousands of digital stills to life with director Bensimon.
Written and directed by Jonathan Bensimon and produced by Jonas Bell Pasht, Tokyo/Glow follows the nighttime journey of an illuminated man from a crosswalk sign as he embarks on an adventure through the streets of Tokyo. Shot on location throughout Tokyo using thousands of individual digital stills, the short film features original music by indie rock band Kidstreet, who recently signed with Nettwerk Records and will be releasing their debut album worldwide in 2010.
To achieve the striking effect of the illuminated man, an original light suit was constructed using hundreds of feet of high-voltage LED rope lights and a translucent nylon outer shell. Michael Lambermont, executive producer at Alter Ego in Toronto, oversaw the effects-heavy post-production process, which included weeks of extensive rotoscoping and compositing in the facility's two Flame suites, plus a final colour grade, once the effects were complete. Geoff Ashenhurst, editor at Stealing Time, was charged with bringing the thousands of digital stills to life with director Bensimon.
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Eric Truffass12 hours ago -
David Clingman1 day ago -
Karl Preiser1 day ago -
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Fabio Gattini3 days ago
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pla1903 days ago -
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L.J.3 days ago -
Seba Bertoni4 days ago
MOV
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Statistics
| Date | Plays | Likes | Comments |
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| Totals | 78.2K | 1,242 | 32 |
| Feb 14th | 20 | 0 | 0 |
| Feb 13th | 56 | 2 | 0 |
| Feb 12th | 46 | 1 | 0 |
| Feb 11th | 54 | 4 | 0 |
| Feb 10th | 62 | 2 | 0 |
| Feb 9th | 48 | 2 | 0 |
| Feb 8th | 36 | 2 | 0 |
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So this was synthesized from stills? Any details on intervals / gear ?
Which câmera did you use?
Yeah!!
Looks so great! :D
amazing.
les-courts-metrages.fr/tokyoglow-hd/
spaced.blog.com