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31. Glass Insomnia
1 year ago
30. 3 Seconds HD
1 year ago
29. Legends HD
1 year ago
28. Reel for Sony
1 year ago
18. Alone in Tokyo HD
2 years ago
16. Death Valley HD
2 years ago
15. Red Red Rocks HD
2 years ago
14. "Deer Vegas" HD
2 years ago
6. Tent Rock HD
2 years ago
5. Kew Gardens HD
2 years ago
Filmed in Tokyo in April/ May 2008 using the Sony EX1 and the Letus Extreme/ Letus Ultimate and some shots just using the EX1.

Music is by Air called "Alone in Kyoto"

Edited on a 17" MBP using FCP 6 and graded with Magic Bullet looks.

Thanks to Alex and Dean for their help.

philipbloom.net

Credits

1,129 Likes

  • Underground Planet plus 2 years ago
    Not sure what it is about this one but it stands out as one of my favorites of yours that I've seen. Great mood, texture, and timing. The time lapse with the guy sleeping on the sidewalk was stunning.

    - Ray
  • Glyn Allen 1 year ago
    I agree with Ray some stunning work Mr Bloom probably made extra special because I have visited some of the places shown. Next time you go I would recommend to visit the Tokyo Fish Market some really good shots could be captured there.
    Can I ask if you color grade using the magic bullet looks in FCP or AE?

    Glyn
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  • Amenon plus 2 years ago
    Second Ray's comments. At times I thought how odd that Tokyo should feel so similar to many other metropolitan environments, at times so different. I would have been tempted to close with the fellow raising his glass - but closing with sleep works perfectly. I liked your compassionate look at the homeless. Marvellous stuff.
  • Philip Bloom plus 2 years ago
    thanks guys. Amemon you hit the nail on the head, I wanted to show how different Tokyo was but at the same times just like any city I have been to.

    When I arrived I felt like I was on an alien planet, then by the the time I left a week later I felt it was just like home in so many ways. That is what I tried to capture.
  • Brase plus 1 year ago
    Beautiful piece!!!

    I was just in Tokyo a few weeks ago, and I felt the same way the first time I went. You really feel out of place if you're American, but after a few days you feel part of your surroundings. I absolutely love Tokyo, and always enjoy visiting. Everyone is extremely nice and friendly.

    I miss Tokyo.
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  • matthew strong plus 2 years ago
    your work is amazing.

    i'd love to work with you one day.
  • Philip Bloom plus 2 years ago
    Cheers Matthew
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  • Taylor Gillespie 2 years ago
    Wow Philip, you've outdone yourself here.

    Amazing stuff.
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  • Haidar Hakim plus 2 years ago
    Very nice video Philip, these pictures telling so much, i love the editing.
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  • Emmanuel Tenenbaum plus 2 years ago
    Well, I was actually editing a similar video and I just saw yours today... And it's fantastic. You have some very valuable footage, probably because you entered more in their intimate lifes.

    It's strange how unconfortable I was feeling in Tokyo when I was filming. It's the country of the cameras, but I never dared film as close as you did, and in close places like the metro. I felt observed and as if I was stealing them their privacy.

    But only the results counts and your film is FANTASTIC and BEAUTIFUL. Thank you for these 6:00 of great pleasure.
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  • Londonmark Films 2 years ago
    Phil, I thought this piece was really good...Your editing was spot on and great choice of music...Liked the Hitchcock moment and the treatment of the credits. Well done...Mark
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  • Sami Sänpäkkilä 2 years ago
    really great! loved the first slow mo shots especially.
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  • Steven Dempsey 2 years ago
    Very nice Phil. Great choice of music and spot on editing. Quite poignant too.
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  • Kjewbee plus 2 years ago
    You really have a gift capturing people falling asleep ;) hehehe

    I love the slo-mo function on the ex1... I wish I had that function too on my XHA1 :(
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  • Stephen Lewis plus 2 years ago
    Great idea cutting it up into 4 or 5 distinct pieces! You captured the warm human element of kids, family, etc.... as well as the colder industrial element of inner city life with neon lights, crowded streets... homelessness. A great short yet again, can I say I have been to Japan now?
  • Philip Bloom plus 2 years ago
    cheers Stephen. Not a huge amount of slow mo in this one!

    No, you haven't been to Japan!!!
  • Stephen Lewis plus 2 years ago
    Ha! Yes, you captured the dreamlike-atmosphere splendidly!
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  • Mark Holmes plus 2 years ago
    Very nice, Philip. This would be a wonderful gift to the engineers at Sony who created the EX1. What MB filter was this, Buffalo? Maybe at about 85%? And curious what lens you used; still using the Nikons?
  • Philip Bloom plus 2 years ago
    Cheers Mark. In Magic Bullet Looks used a very customised version of "AG FILM STOCK"

    Lenses were mostly just two lenses. 17-35mm f2.8 nikon and 80-200 f2.8 nikon. At night I also used my 50mm zeiss f1.4 and 85 zeiss f1.4 and i think I may have used my 100mm Zeiss f2 macro too...
  • Mark Holmes plus 2 years ago
    Don't want to drive you crazy, but are they Zeiss PL or Zeiss for Nikon mount? Am awaiting delivery of my Letus Extreme and lens shopping... And thanks for the AG Film Stock tip...
  • Philip Bloom plus 2 years ago
    i use that preset a lot, it is often my template as it has a nice retro feel, especially in the last short Shibuya and Tramway. All Nikon mount lenses!
  • Mark Holmes plus 2 years ago
    Thanks Philip! Will keep checking KEH Photo for Zeiss Nikon mounts. Looks like finding that 17-35mm Nikon is going to be a bear...
  • Philip Bloom plus 2 years ago
    i was lucky enough to find a v cheap one on ebay as the auto focus was broken. The Zeiss lenses are wonderful but try and get one or two fast zooms as you are less likely to miss that shot, that is if you shoot stuff like me, less important for narrative stuff.
  • Mark Holmes plus 2 years ago
    Thanks Philip; just ordered a couple cheap zooms from KEH - Sigmas, which will have to do until I can find some Zeiss and some more Nikkors. Have a few Contax/Zeiss, but no Nikon/Zeiss.
  • Philip Bloom plus 2 years ago
    beware of cheap zooms, they are normally very slow on the long end making them useless for 35mm adaptors. The nikons i have are f2.8 all the way through.
  • Mark Holmes plus 2 years ago
    Yeah, figure as much - but plan on using them on very bright exteriors, if at all, on an upcoming music video. Will test them beforehand and see if they measure up. Don't want to be limited in my range of lenses for this project.
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  • alexander thebez 2 years ago
    wow.

    wo.
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  • [ PIXEL VIKING ] plus 2 years ago
    Cool stuff. I think we all have to do some things that feel uncomfortable sometimes - filming-wise.

    This one got me thinking about Ron Fricke's 'Baraka' from 1992 - did you see that one?
  • Philip Bloom plus 2 years ago
    no but recently heard of it. A bit Koyaanasqatsi esque?
  • [ PIXEL VIKING ] plus 2 years ago
    I think Baraka is his best one and I have all the 'sqatsi' movies... and to think he did this on film :)
  • Philip Bloom plus 2 years ago
    my dream job would be to make a film that on lower budget 35mm adaptor HD. Any backers??
  • [ PIXEL VIKING ] plus 2 years ago
    I'll help you carry your gear around :D
  • Jazzwall Arts 2 years ago
    Hey Philip, your work is so inspiring. Count me in for your 35mm adapter film. Question is, how do I get to work with you man?!
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  • The Eyeslit-Crypt plus 2 years ago
    The opening shots at Shinagawa station are gorgeous as is the rest of the video. It's amazing how you transformed the reality of Tokyo into this vivid poetic meditation. The Air song works quite well, too. I have found the music of Fennesz to gel with Tokyo.
  • Philip Bloom plus 2 years ago
    thanks will look that up. Just found out they used that song in Lost in Translation too!
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  • Peter Salvia 2 years ago
    Love the under crank pan montage. Do you have a motor on your tripod to achieve the constant pan rate or just very steady hands?
  • Philip Bloom plus 2 years ago
    yep. check out the two last blog entries here: web.mac.com/philip.bloom/Blooms_Blog/Blooms_Blog/Blooms_Blog.html

    also it wasn't undercrank it was interval with slow shutter. 1 frame every two seconds or 1 frame every second.
  • Underground Planet plus 2 years ago
    So is it just me or does your focus ever seem to go soft when you switch to slow shutter? Obviously I get a good focus before turning on slow shutter, then switch on slow shutter, then dial down the iris as everything gets blown out but several times I have then looked at what I shot full screen and it seems like it's just not as sharp.
  • Philip Bloom plus 2 years ago
    yeah it does. Its a mare trying to get it bin sharp with slow shutter 16. it is possible though! Just difficult!!
  • Underground Planet plus 2 years ago
    just makin sure I wasn't going crazy or the only one. And yea, it's a bit whacky but thanks for confirming. =)
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  • Brian Boudreau 2 years ago
    Wow that was incredible the pans and time lapse are nuts. great music selection
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  • Tom Guilmette plus 2 years ago
    its cool you just go out and do this stuff for fun. not for money or fame, just because you love it. i will try to do something like this in boston. you gave me a few ideas. thanks phil.
  • Philip Bloom plus 2 years ago
    look forward to it Tom, your baseball pans inspired me here. You are one of the most naturally talented people on here.
  • Tom Guilmette plus 2 years ago
    glad you got to see the baseball pans before i had to pull them due to possible copyright infringement with major league baseball....even though i shot them! thanks for the kind words.
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  • Jimmy Swift 2 years ago
    Philip,

    Yet another stunning video! I lived in Tokyo for a while and its amazing how you were able to capture a different side of tokyo that most would never see and with such elegance.... your stuff is nothing more and nothing less then 180% pure inspiration. Thanks for sharing.
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  • Gabriel Florit 2 years ago
    wow, another great video. i'd love to be your apprentice. heck i'd pay to work with you.
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  • oliax plus 2 years ago
    i'm lovin it
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  • ofa plus 2 years ago
    Amazing work as usual.
    I have one question...i was wondering how you deal with people to have them on the camera and also do you have autorisation or it's gorilla style?

    Thank you for the inspiration it's always a pleasur to see your videos.
  • Philip Bloom plus 2 years ago
    do u mean do i offer them bananas? :-)

    i just go for it guerilla style like in the station (apart from with south bank when i had permission in waterloo station), i just looked very confident like i had permission i ended up filming for close to 2 hours before they kicked me out!

    thanks for your kind comments by the way!
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  • Nathan Pierce 2 years ago
    Love this video man!
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  • Samu Ainesmaa 2 years ago
    POSSIBLY my favourite from you, philip. The panning timelapse fades were just mind-blowing. It created a spectacular effect!!! The music was also great as usual; love your taste :)

    I keep every now and then doubting whether I really should pursue film and invest in the EX1 like I plan to...then every time I see a new film from you I slap myself awake and convince myself that it really is what I want :)

    Five stars!
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  • Rick Horton 2 years ago
    But Phil,
    It's fun filming guerilla style, don't you agree!!!
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  • Jon Carpenter 2 years ago
    the circle effect created with the pans was my favorite also the time lapse with the homeless man was pretty amazing.
    How odd is it that even the homeless take off their shoes before entering the "homes".
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  • ofa plus 2 years ago
    AHAHAH nothing like that.
    i was trying to shoot in brooklyn in a crowded park and i got nicely asked to stop shooting. i didn't want to call it a bluf with NYPD Finest..

    but thanks for the anwser
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  • Wicked ! That's all I have to say ! Wicked !

    If you are ever in Chicago please look me up (mark@probe3.com), I would love to be an assistant.

    Wicked ! :)
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  • Ivan 2 years ago
    Philip, this is like 'Lost in translation', but only better! I love your work, and this movie has a clear message: even in a metropolitan city, people can be very lonely.
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  • 1:19-1:32 OMG!!!
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  • AndreasF 2 years ago
    great video
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  • Voxinabox 2 years ago
    Wonderful. Great... everything from start to finish. A complete film. Congratulations.
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  • pda.pl plus 2 years ago
    This peace is pure beauty - well done! Love it!
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  • Encript 2 years ago
    This was very amazing. I enjoyed this very much, and coming from nyc I know what metropolitan life can be like. When I was working on a project like this for my self I was too timid to get close to people. Or to film in the subways for fear people would look at me strangely. However I noticed no one seemed to give you a problem and almost welcomed you filming them. Well Done.
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  • likefoxes 2 years ago
    amazing... i'm going to live in tokyo next year and this just made me want to even more
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  • Brad Holt 2 years ago
    Brilliant work! The music is a perfect match!
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  • enmimente 2 years ago
    Woooow!. truly the best.
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  • Dan Clark 2 years ago
    Wow, superb editing, lighting, and choice of shots in this video. I was in Japan 6 months ago and this brought back some good memories. I loved hanging out in Shibuya when I was there. Good job Phillip.
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  • Pierre 2 years ago
    Wow. The use of speed changes and colors work inspiring: I'm ready to give it a try. Great piece of art Philp.
    I wonder how you manage to carry around your camera gear and set up your tripod shots without too much attention to you in such a busy city.
  • Philip Bloom plus 2 years ago
    it's knackering carrying the gear, mostly the lens bag to be honest, but the tripod is small, the camera is bigger and I am bigger still. Especially in Japan!
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  • Matt E plus 2 years ago
    Really enjoyable and inspiring once again Philip. Those time-lapse pans are excellent.
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  • Ryan Humphreys 2 years ago
    Brilliant work Philip. I think the music hit the nail on the head too. It just makes me think that I'm lucky for having a roof over my head, and how much I take it for granted.
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  • Aurélien 2 years ago
    very good, and relaxing
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  • RogerB1 plus 2 years ago
    I have not seen this film as yet, but I am downloading it first. I know I will like it. :o)
  • Philip Bloom plus 2 years ago
    did you like it?
  • RogerB1 plus 2 years ago
    Are you kidding? I loved it! I am your number one fan. I always appreciate quality work. As you know, I save all your films. :o)
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  • Tim Barrett 2 years ago
    Hi Phil, I love your shooting and editing style.

    Could you step through how you achieved the the panning timelapse? Did you have some sort of device to rotate the camera at a constant speed as it looks stunning and seemless? If so is it a device that would also work with a DSLR camera?
  • Philip Bloom plus 2 years ago
    i have a motorized tripod head, very cheap too. Go to my blog to read about it Tim.
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  • Kingofpunk plus 2 years ago
    In Japan do we need any kind of authorization to film on the street or in the train station like in Paris France ?
  • Philip Bloom plus 2 years ago
    it was filmed guerilla style with no permission.
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  • New all-time favorite.
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  • Denis Davydov 2 years ago
    It is just amazing!!!! Thanks for sharing!...
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  • Xynthetic plus 2 years ago
    really really nice dude, beautiful!
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  • Andrea b 2 years ago
    cool
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  • Sam Nothing 2 years ago
    I was curious if the crop factor applies when using the Letus and the EX1 with Nikor lenses.

    Or does the 1.5x not apply because of what the letus does and the EX1 sensor(s)

    Assuming your using 35mm film SLR lenses
  • Philip Bloom plus 2 years ago
    no crop factor as it's a full size 35mm frame on the letus unlike a DSLR. It is in fact bigger so you can if you want get .8x
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  • walt 2 years ago
    did you find the soul of tokyo?
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  • Stephen Lewis plus 2 years ago
    Hey Phil,
    What bitrate did you encode this with, 7mpbs?
  • Philip Bloom plus 2 years ago
    5mbps Stephen
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  • JP Alano 2 years ago
    how did you do the shots for the panning timelapse? don't tell me you had a motion control rig? or was it as simple as panning your tripod a little as the camera was on pause for the interval shots. cuz ive done that panning the camera a tad but never got the same effect that a motion control rig brings.
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  • JP Alano 2 years ago
    nm just saw ur comment motorized tripod rig. heh. sorry.
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  • Patrick Moberg 2 years ago
    Man, the color on this looks really nice.

    The 3:52 silhouette shot is great.
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  • Nick Holmes 2 years ago
    I really liked this a lot. Excellent mood.
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  • Sean Cruser 2 years ago
    not much to say that i'm sure you haven't heard already. stellar work as usual.
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  • Bill Craven 2 years ago
    Phil, Sean just took my line, I agree with all the previous comments and would again emphasize "SPECTACULAR". In the difference, the familiar seems to dart in and out of the picture! It also seems strange to see the same "homelessness" in stark contrast to the opulence of the surrounding Metropolis! Thanks for sharing your talents!
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  • gremm 2 years ago
    that was wicked. thanks for this.
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  • mikehedge 1 year ago
    nice work. what's the trick with the timelapse panning?
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  • Tris nic 1 year ago
    awesome work
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  • George Mason plus 1 year ago
    This is T.S. Eliot's "The Lovesong of J. Alfred Prufrock." Absolute must see. The music and the video contrast to tell us we do not know what "real time" is; we only live in it. Watch this, read Prufrock again, and tell me I'm wrong.
  • Some Like It Shot plus 1 year ago
    thanks very much George!
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  • machasan 1 year ago
    very cool!
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  • Thomas Charbit 1 year ago
    the colors are soo amazing....
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  • kitsuney plus 1 year ago
    seriously this is just amazing. I went to tokyo several times and just made a shortfilm there. and this film reflect exactly what it feels to stay there. I hope maybe some day we will work together.

    About the Letus extreme is it a good adapter ? does it work with a sony Z1 camera ?

    congrats again
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