An exercise to determine the best aperture setting for the revised SLR Magic CINE II lens and the SLR Anamorphot combination for daytime wide scenes while maintaining edge sharpness. There is a slight flickering of moiré in a few of the architectural details, but not in the original full resolution clips.
Shot on two cloudy occasions with a Panasonic GH4 using the Natural "all flat" setting. Captured in UHD 24p and down-converted in FCP X along with exposure adjustments all round, and slight color correction on a few of the clips. All hand held and post stabilized.
SLR Magic Anamorphot 1.33-50
SLR Magic HyperPrime CINE 25mm T0.95
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