If American old-time music is about taking earlier, simpler ways of life and music-making as one’s model, Abigail Washburn has proven herself to be a bracing revelation to that tradition. She—a singing, songwriting, Illinois-born, Nashville-based clawhammer banjo player—is every bit as interested in the present and the future as she is in the past, and every bit as attuned to the global as she is to the local. Abigail pairs venerable folk elements with far-flung sounds, and the results feel both strangely familiar and unlike anything anybody’s ever heard before. To put it another way, she changes what seems possible.
One fateful day 8 years ago, Washburn was miraculously offered a record deal in the halls of a bluegrass convention in Kentucky which changed her trajectory from becoming a lawyer in China to a traveling folk musician. Since then, Abigail has been recording and touring a continuous stream of music. Her music ranges from the "all-g'earl" string band sound of Uncle Earl to her bi-lingual solo release Song of the Traveling Daughter (2005), to the mind-bending “chamber roots” sound of the Sparrow Quartet, to the rhythms, sounds and stories of her fundraiser CD for the Sichuan earthquake victims. Her latest release City of Refuge (2011), takes her bold and expansive musical vision to new heights. Raw, ethereal and at times lushly orchestrated, the album melds the forces of renowned producer Tucker Martine (the Decemberists, Spoon, My Morning Jacket), AM-pop maestro Kai Welch, along with Washburn’s classic songwriting and old-time storytelling aesthetic, resulting in a collection of "enigmatic songs" that "mingle Appalachia and folk-pop, with tinges of Asia and Bruce Springsteen" (Jon Pareles, The New York Times).
Having toured US, Canada and Europe, Washburn is also armed with Chinese language ability and profound connections to culture and people on the other side of the Pacific. Washburn is one of the few foreign artists currently touring China independently and regularly. She completed a month-long (November-December 2011) tour of China's Silk Road supported by grants from the US Embassy, Beijing. Her efforts to share US music in China and Chinese music in the US exist within a hope that cultural understanding and the communal experience of beauty and sound reaching out from tradition will lead the way to a richer and a more profoundly rooted existence for all humans in the midst of a swiftly evolving world order.
To see Abigail perform somewhere around the world, please visit abigailwashburn.com